Is Guilty as Sin Worth Watching?
Answer: Maybe not, Guilty as Sin is likely a skip if you enjoy Thriller movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Guilty as Sin is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.6/10, it has delivered a mixed experience for fans of the Thriller, Drama genre.
Answer: Maybe not, Guilty as Sin is likely a skip if you enjoy Thriller movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1993, Guilty as Sin emerges as a significant entry in the Thriller, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Before a criminal lawyer knows what has happened, she is forced to defend a wife killer she knows is guilty. Unlike standard genre fare, Guilty as Sin attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Thriller is often anchored by its ensemble, and Guilty as Sin features a noteworthy lineup led by Rebecca De Mornay . Supported by the likes of Don Johnson and Stephen Lang , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Guilty as Sin (1993) is mixed. With an audience rating of 5.6/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Guilty as Sin is a Thriller, Drama film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Guilty as Sin attempts to tie together its various plot elements. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Guilty as Sin reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $12.0M |
| Worldwide Gross | $22.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Guilty as Sin is $12.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.6/10, and global collection metrics, Guilty as Sin stands as a challenging project for the creators. It remains an essential piece of the 1993 cinematic year.
Guilty as Sin has received mixed reviews with a 5.6/10 rating, making it a moderate success with the audience.
Guilty as Sin is a mixed bag. It might be worth watching if you're a fan of Thriller, Drama movies, but read reviews first.
Guilty as Sin may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
It probably didn't really help that for the first half of this film, I thought that Don Johnson was Kevin Costner! Once I'd sorted that out though, it didn't really make much difference - it's still a rather dull crime thriller that is really light on thrills. Rebecca De Mornay is "Haines", an ambitious lawyer who is drafted in to defend "Greenhill" - a rather unpleasant fellow accused of killing his wife. What now follows is a particularly sterile court room drama as first he plays her before she cottons on and decides that the worm needs to turn a bit. The whole thing is entirely predictable with none of the jeopardy of, say, "Jagged Edge" (1985) nor does Sidney Lumet really make much effort with the characterisations - they are shallow, malevolent and not in any way did they manage to hook me or keep me engaged for what seemed like an eternity of extremely obvious faux plot twists. The ending is fitting, but I could have been doing with it about half an hour earlier! Another film for the telly, after a few drinks.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.