Is Gunslinger Worth Watching?
Answer: Maybe not, Gunslinger is likely a skip if you enjoy Western movies.
It features a runtime of 71 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Gunslinger is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.1/10, it has delivered a mixed experience for fans of the Western, Romance genre.
Answer: Maybe not, Gunslinger is likely a skip if you enjoy Western movies.
It features a runtime of 71 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1956, Gunslinger emerges as a significant entry in the Western, Romance domain. The narrative core of the film focuses on a sophisticated exploration of After her husband is gunned down, Rose Hood takes his place as sheriff of a small Western town. Unlike standard genre fare, Gunslinger attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Western is often anchored by its ensemble, and Gunslinger features a noteworthy lineup led by John Ireland . Supported by the likes of Beverly Garland and Allison Hayes , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Gunslinger (1956) is negative. With an audience rating of 4.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Gunslinger is a Western, Romance film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Gunslinger attempts to tie together its various plot elements. The finale presents its approach to western resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Gunslinger reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:









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Amazon VideoAnalyzing the audience sentiment, IMDb rating of 4.1/10, and global collection metrics, Gunslinger stands as a challenging project for the creators. It remains an essential piece of the 1956 cinematic year.
Gunslinger is considered a flop based on audience ratings of 4.1/10 and lower collections.
Based on the low rating of 4.1/10, Gunslinger may not be worth watching unless you are a die-hard fan.
Gunslinger is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, ScreenPix Apple TV Channel, Amazon Prime Video with Ads, ScreenPix Amazon Channel depending on your region.
The Gunsligerette Gunslinger is directed by Roger Corman and written by Charles B. Griffith and Mark Hanna. It stars John Ireland, Beverly Garland, Allison Hayes, Martin Kingsley, Jonathahn Haze and Chris Alcaide. Music is by Ronald Stein and cinematography by Frederick E. West. When the sheriff of Oracle, Texas, is murdered by outlaws, his widow Rose Hood (Garland) takes over as Marshal and sets about cleaning up the town... As Roger Corman started out directing, a few years before he would turn his hand to the Edgar Allan Poe adaptations that would find him respect and leave his mark on cinema, he ventured into the realm of the Western. None of these Westerns were particularly good, in fact they are some of the lowest rated Westerns on IMDb, with Gunslinger currently at the bottom of the pile with a 2.8/10 weighted average! Yet, and it's really not a movie you would want to revisit often - if at all, there's a quirkiness and feminist angled bravery about the whole thing that earns a tiny bit of respect. The problems are many. It's over talky and slow, and what action there is is so badly staged it comes off like an amateur playhouse production. Then there's the acting. Ireland kind of escapes criticism because he walks around in a dazed state, it's like he can't believe what he is doing there, you can see him thinking to himself that he was working for Howard Hawks and Anthony Mann not long ago! Garland is OK, spunky and at least correct in line deliveries and visual reaction to situations, and Hayes is sexy enough to get away with the incredulity of it all. The rest, however, are desperately poor, with some of them resorting to auto-cue type acting. Visually it's also poor, with barely dressed sets looking as fake as fake can be, especially when they shake as actors bump into them. Filmed in Pathecolor, the exteriors are sadly lifeless, the colours bland, and this in spite of the decent DVD print that I viewed. The sped up horse riding sequences raise a chuckle, while goof spotters will have a field day here. All told, with a weak and preposterous finale sealing the deal, it's a well below average "Z" grade Oater. One that's fun for the wrong reasons, but still! The sight of Garland blasting away with shotgun in hand, with star badge on chest, is a sexy image I shall not forget in a hurry! 3.5/10
_**When the town marshal is better-looking than the saloon girls**_ After her lawman husband is murdered in Oracle, Texas, Rose Hood (Beverly Garland) takes over the job of marshal to track down those behind the slaying. Meanwhile the saloon owner (Allison Hayes) wastes no time in hiring a hitman to take her out (John Ireland). "Gunslinger" (1956) is the sixth film directed by trailblazing Indie filmmaker Roger Corman (his seventh if you count his uncredited work on “The Beast with a Million Eyes”). Like his debut flick from the year prior, “Five Guns West,” it’s a quickie B Western shot in color, but this one’s superior due to its originality, filmed in seven days (instead of his usual six). It was a troubled shoot with it raining five of the days and the corresponding mud. Corman described it as "one of the worst experiences of my life” with Hayes (Erica) wanting to leave the film after falling off her horse due to it slipping in the mud and breaking her arm. Meanwhile the unique love scene in the tree was plagued by biting red ants. With a female protagonist and antagonist, not to mention overblown melodrama that borders on caricature, this Western is reminiscent of “Johnny Guitar” (1954), although not quite as surreal or exceptional. Corman doesn’t fail to continuously throw-in entertaining bits, like the dancing saloon girls, a knock-down drag-out catfight and the Little Man’s cute-but-doomed love for Erica (Jonathan Haze). Not to mention, the loveliness of the two stars doesn’t hurt, especially the stunning Allison Hayes (whose maliciousness detracts from her beauty). Despite the difficult production, Beverly considered it one of her favorite roles, and understandably so since it was (I think) the first female marshal/sheriff role in a movie Western. She did a smashing job. The film runs 1 hour, 23 minutes, and was shot at Jack Ingram Ranch in Topanga Canyon, Woodland Hills, Los Angeles, California. GRADE: B
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.