Is Happy as Lazzaro Worth Watching?
Answer: Yes, Happy as Lazzaro is definitely worth watching if you enjoy Drama movies.
It features a runtime of 128 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Happy as Lazzaro is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.4/10, it has delivered a compelling experience for fans of the Drama, Fantasy genre.
Answer: Yes, Happy as Lazzaro is definitely worth watching if you enjoy Drama movies.
It features a runtime of 128 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2018, Happy as Lazzaro emerges as a significant entry in the Drama, Fantasy domain. The narrative core of the film focuses on a sophisticated exploration of Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world. Unlike standard genre fare, Happy as Lazzaro attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Drama is often anchored by its ensemble, and Happy as Lazzaro features a noteworthy lineup led by Adriano Tardiolo . Supported by the likes of Agnese Graziani and Luke Chikovani , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Happy as Lazzaro (2018) is overwhelmingly positive. With an audience rating of 7.4/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Happy as Lazzaro is a Drama, Fantasy film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: Happy as Lazzaro resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Happy as Lazzaro reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:








Netflix
Netflix Standard with AdsAnalyzing the audience sentiment, IMDb rating of 7.4/10, and global collection metrics, Happy as Lazzaro stands as a successful venture for the creators. It remains an essential piece of the 2018 cinematic year.
Happy as Lazzaro is considered a hit based on audience response and box office performance. With a rating of 7.4/10, it's highly recommended for fans of Drama, Fantasy movies.
Yes, Happy as Lazzaro is definitely worth watching! It's a must-watch hit for fans of Drama, Fantasy cinema.
Happy as Lazzaro is currently available for streaming on Netflix. You can also check for it on platforms like Netflix, Netflix Standard with Ads depending on your region.
‘Happy as Lazzaro’ comes and goes like an airy fable but doesn’t make as much of an impact as it wants to. Through a lack of convincing and earned pivot, its first half in realism drags down the escapism it yearns for in its second half. Its ambition is to be commended and is definitely a film that deserves to be seen, but as a whole is just verging on greatness. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-happy-as-lazzaro-more-than-meets-the-eye
A tale (or fable?) of social commentary by directress and writer Alice Rohrwacher (that I first knew in the short "Le Pupille") in rural Italy with touches of anti capitalism and class division, where sharecroppers live, without knowing their semi-slavery state because of lack of knowledge. Lazzaro the protagonist, is an innocent character that is happy to make others happy, in the pureness of his heart. He doesn't know who is his father of mother just who is maybe his grandmother. There are very few signs of when this passes you can guess the 60 or 70's till later you see a cellphone of the 90's. So this is the condition that those people lives. They live under Marchesa Alfonsina De Luna state till one day Lazzaro meets the rebellious son of her, Tancredi, that wants to live away from the rot of his bankrupt family, so he devise a plan. A plan that unwillingly ends ends with and event that throws Lazzaro in the future 20 to 30 years ahead. By chance or destiny he meet robbers in the now decadent rural mansion (not knowing that they are people of his past "family") and in the city where he is recognized by an old female friend (the role is played by the older sister of Rohrwacher, Alba) - the only one that sees the miracle of him not ageing anything at all (and not all broken and bloody by the event that happened so many years ago, not seen by anyone). In this urban future he ends up living within the same ignorant and individualist clan (with some exceptions) and ends up meeting by chance the Baroness son again, decadent as ever in his dreams of richness that broke his spirit. Not telling the end after all this spoilers, but it is sad to see Lazzaro so pure treated as nothing, unhappy by his friend status, and trying to correct things in a wrong way in his innocency (no, it doesn't have an happy ending). A movie that may not be for everyone but that shines to see such saintness and pureness of heart among our society. Good cinematography and choice of colors, with Kodak Super 16mm film by cinematographer DP Hélène Louvart AFC and good acting by the protagonist, the newcomer Adriano Tardiolo. I would score this one a 8.0 out of 10.0 / A-.
Adriano Tardiolo is really good in this biblically apt story of the young “Lazzaro”. He’s a generous-spirited young man who energetically helps out in his community - one under the thumb of the uncaring dominatrix “Marchesa” (Nicoletta Braschi) who treats this agrarian community little better than the animals she describes them as. She has a teenage son “Tancredi” (Luca Chikovani) who, though spoiled, has a bit of a rebellious streak and so when he befriends “Lazzaro” and discovers the young man’s hilltop hideaway, he decides to abscond from his mother and feign a kidnapping. Perhaps unsurprisingly, his mother sees through his wheeze and declines to pay up the ransom but that stalling has the benefit of allowing these two young men to establish what they hope will be an indelible friendship. Then “Lazzaro” takes a bit of a tumble and when he awakens, nothing is as it was. For all but him, decades have gone by and it’s only a chance encounter with childhood friend “Antonia” (Agnese Graziani) and her family of somewhat understandably sceptical scrap merchants and petty thieves that offers him a chance of a new life in the city. He is shy and honest so doesn’t readily fit into their community but she won’t allow them throw him onto the streets even if she reckons he’s pretty useless, too. It’s pretty clear to everyone that all he really wants is to find his friend - but what chance now? This mixes a culture of cruel, venal, exploitation with a delicate religiosity and that turns out to be quite a poignant combination as events unravel in the latter part of the film. Tardiolo hasn’t a great deal of dialogue, indeed there isn’t really that much here at all, and that works well. It’s presented as something akin to parables concerning kindness, do unto others, reap what you sow kind of thing, before a denouement that is both ghastly and yet somehow affirmatively symbolic. What does it mean to be human in a sense of humanity rather than chemical engineering? What does set us apart from the animals? Superstition, faith, love, fear, music, decency? Lots of questions posed amongst the simplicity here and it’s delicately delivered and engagingly thought-provoking at times.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.