Is Here Worth Watching?
Answer: Yes, Here is definitely worth watching if you enjoy Drama movies.
It features a runtime of 104 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Here is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.5/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Here is definitely worth watching if you enjoy Drama movies.
It features a runtime of 104 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2024, Here emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations. Unlike standard genre fare, Here attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Here features a noteworthy lineup led by Tom Hanks . Supported by the likes of Robin Wright and Paul Bettany , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Here (2024) is mixed. With an audience rating of 6.5/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Here is a Drama film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: Here concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Here reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $40.0M |
| Worldwide Gross | $15.4M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Here is $40.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.








Apple TV
Amazon Video
Apple TVAnalyzing the audience sentiment, IMDb rating of 6.5/10, and global collection metrics, Here stands as a successful venture for the creators. It remains an essential piece of the 2024 cinematic year.
Here has received mixed reviews with a 6.5/10 rating, making it a moderate success with the audience.
Here is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Here may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
'Here' is one of the most original movies that I have personally seen, I can't say I've watched one that does anything like this. To tell such a story from (basically) a single camera angle is a brave choice, but it is one that Robert Zemeckis & Co. nail tremendously. I loved it. I would've predicted some slow moments and that the sole vantage point might've gotten repetitive/boring, happily neither of those two things occurred. There are plenty of events that keep it all interesting and the unique angle ensures freshness. Those on the cast are, of course, helpful too. Tom Hanks is as great as always, Robin Wright is also very good. Paul Bettany is, though, the one that stood out most to me, he is excellent at every moment. His character is most attached to all the more serious parts of this, most notably alongside Kelly Reilly's Rose. I saw this at the cinema as part of a double bill with Pablo Larraín's 'Maria'; randomly chosen due to the showtimes matching up with my schedule, but what a great four hours or so in front of the big screen it turned out to be. Quality viewing!
I really did quite like the concept behind this film. A sort of house-bound version of the "Truman Show" where a residence provides the continuity for the lives and loves of it's occupants over multiple generations. Our perspective comes from only one side of the room, looking out of the window at a grand Colonial mansion that once belonged to a Jefferson somewhere along the line. Right from the construction of this residence, we follow the lives of three distinct families, and the timelines are intertwined to avoid it just becoming a chronology of the place. It's also all interspersed by some native American imagery to remind us that this whole process of being born, breeding and dying is nothing new. The latter part of this film pulls the threads together of the mainstay of the storyline. The family of "Al" (Paul Bettany) and "Rose" (Kelly Reilly) who bring up their family and end up sharing in adulthood with their son "Richard" (Tom Hanks) and his wife "Margaret" (Robin Wright). It's this partnership that proves to the more turbulent as they find themselves trapped by his dead-end job, their dependancy on his parents for a roof over their head and as age overcomes all of these characters, the growing realisation that perhaps life is just passing - or has passed - them by. Robert Zemeckis has tried to construct something different here, and I did like that he didn't just trot a diary according to... The use of visually defined boxes to indicate to us that we are about to change timeline or storyline also, once you get used to it, works quite effectively, as does the use of the soundtrack to use music as a sign of changing attitudes. Sadly, though, the acting isn't really the sum of it's parts and the temptation to sink into the melodramatic seems to prove too much for all concerned. It is funny at times and the observational nature of the presentation can be poignant, too, but the flighty nature of the narrative is almost theatrical in style and doesn't allow us to really get our teeth into any of the characterisations. Wright increasingly underwhelms as an actor these days and here her pairing with te unremarkable Hanks comes across as all a bit shallow as we head a denouement that's rather clumsily telegraphed to us in the final fifteen minutes. It is an intriguing version of lives through a lense, and is certainly worth a watch. It's just a bit one-dimensional.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.