Performance & Direction: Hidden Homicide Review
Last updated: January 29, 2026
Quick Verdict: Hit or Flop?
Is Hidden Homicide (1959) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 4.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Mystery.
Cast Performances: A Masterclass
The success of any Mystery is often anchored by its ensemble, and Hidden Homicide features a noteworthy lineup led by Griffith Jones . Supported by the likes of Patricia Laffan and James Kenney , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Hidden Homicide
Quick Plot Summary: Hidden Homicide is a Mystery, Crime film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Hidden Homicide
Ending Breakdown: Hidden Homicide attempts to tie together its various plot elements. The finale presents its approach to mystery resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the mystery themes established throughout the runtime.
The final moments of Hidden Homicide reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Hidden Homicide Real vs. Reel: Is it Based on a True Story?
Hidden Homicide incorporates elements from real criminal cases. As a mystery, crime film, it navigates the space between factual accuracy and narrative engagement.
Historical Context
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Hidden Homicide adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Who Should Watch Hidden Homicide?
Consider Watching If:
- You're a completist for Mystery films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Hidden Homicide
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Hidden Homicide Parents Guide & Age Rating
1959 AdvisoryWondering about Hidden Homicide age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Hidden Homicide is 70 minutes (1h 10m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 4.8/10, and global performance metrics, Hidden Homicide is classified as a AVERAGE. It remains an essential part of the 1959 cinematic calendar.
Frequently Asked Questions
Is Hidden Homicide worth watching?
Hidden Homicide is definitely worth watching if you enjoy Mystery movies. It has a verified rating of 4.8/10 and stands as a AVERAGE in our box office analysis.
Where can I find Hidden Homicide parents guide and age rating?
The official parents guide for Hidden Homicide identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Hidden Homicide?
The total duration of Hidden Homicide is 70 minutes, which is approximately 1h 10m long.
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How Hidden Homicide Compares & Where it Ranks
Critic Reviews for Hidden Homicide
Murder At Shinglestrand. Hidden Homicide is directed by Tony Young and adapted to screenplay by Young and Bill Luckwell from the novel "Murder at Shinglestrand" written by Paul Capon. It stars Griffith Jones, James Kenney and Patricia Laffan. Music is by Otto Ferrari and cinematography by Ernest Palmer. A novelist wakes up to find a gun in his hand a relative murdered nearby. Did he do it? Who cares is the serious answer after sitting through this most turgid of "Z" grade Brit crime mysteries. There's just about enough material here to have made a half hour episode of some low rent Private Investigator show, but even then the logic holes and crumbling direction would struggle to hold the attention of the intelligent of mind. Also features one of the most irritating musical scores of the 50s (shudder). 2/10
"Cornforth" (Griffiths Jones) wakes up, fully clothed, in a strange house in the middle of nowhere. He has no idea how he got there, nor why he has a gun in his hand and why... wait for it... there is a corpse in the kitchen. To add to his confusion, he is joined by two rain-soaked backpackers - "Jean" (Patricia Laffan) and "Marian" (Maya Koumani). When they discover his secret they try to skedaddle only to be prevented from doing so by their befuddled host. What now ensues is really a rather daft murder mystery that involves him and the now somewhat miraculously convinced "Jean" returning to London where they try to get to the bottom of this increasingly far-fetched conundrum. It is pretty obvious - once we are back in civilisation and amongst a cast that includes the usually reliable Bruce Seton and the plummy, easy on the eye, James Kenney - who is behind the crime, even though the motive remains curiously elusive right until the last few scenes. It's not the worst, it's clearly just a job of work for all concerned with an unremarkable script and some equally forgettable performances that passes an hour or so, but not in any way remotely memorable.
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This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










