Is Holiday on the Buses Worth Watching?
Answer: Yes, Holiday on the Buses is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 85 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Holiday on the Buses is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.4/10, it has delivered a compelling experience for fans of the Comedy genre.
Answer: Yes, Holiday on the Buses is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 85 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1973, Holiday on the Buses emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Due to a female passenger falling out of her top whilst running for the bus Stan is distracted and crashes the bus resulting in the depot managers car being written off. Unlike standard genre fare, Holiday on the Buses attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Holiday on the Buses features a noteworthy lineup led by Reg Varney . Supported by the likes of Stephen Lewis and Doris Hare , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Holiday on the Buses (1973) is overwhelmingly positive. With an audience rating of 7.4/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Holiday on the Buses is a Comedy film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Holiday on the Buses resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Holiday on the Buses reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
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NetflixAnalyzing the audience sentiment, IMDb rating of 7.4/10, and global collection metrics, Holiday on the Buses stands as a successful venture for the creators. It remains an essential piece of the 1973 cinematic year.
Holiday on the Buses is considered a hit based on audience response and box office performance. With a rating of 7.4/10, it's highly recommended for fans of Comedy movies.
Yes, Holiday on the Buses is definitely worth watching! It's a must-watch hit for fans of Comedy cinema.
Holiday on the Buses is currently available for streaming on Netflix. You can also check for it on platforms like Netflix depending on your region.
Pratfalls and smut a go go. Come the 1970s we British really began to love our smut, it was a constitutional right to enjoy bawdy humour. Of course the quality was rarely above average, where the "Carry On" franchise would plunge the bawdy depths to try and get its laughs, and the "Confessions Of" series was never really any good to begin with anyway, but as long as they had people like Robin Askwith larking about amongst boobs, buttocks and innuendo unbound, then it was often enough for Brit cinema goers of a certain age. On the Buses was a hugely popular TV series in the UK that ran for 7 series from 1969 to 1973. As was the case with many British situation comedies in the 70s, big screen outings would follow for the On the Buses crowd, three of them in fact, of which Holiday on the Buses was the last, and for many it was mercifully the death knell for such ventures. It's a tired looking film when viewed now, the makers straining every sinew to keep the bawdy formula working, with much loved characters thrust into ever stupid situations to try and get laughs. Yet for fans of the series there is still some rewards to be found, but for interested outsiders looking in it's unlikely to generate more than a smile on the comedy scale. It's hard to believe now that the likes of Stan Harper (Reg Varney) and Jack Harper (Bob Grant) could ever be seen as good looking enough to womanise and get sex on tap! But that's exactly what 1970s audiences were asked to buy into. Just because there's snow on the roof doesn't mean the fire has gone out down below. So here Stan the bus driver and Jack the conductor are now working at a Pontins Holiday Camp (how 70s British is that?!) and they basically try and get laid at every opportunity. As does Stan's sexually frustrated sister, Olive (played by the wonderful Anna Karen), only she just wants a bit from her husband Arthur! (Michael Robbins). Even widowed Ma Butler (Doris Hare) is up for a bit of the other, courtesy of the king of dirty old men, Wilfrid Brambell. Naturally nemesis Inspector Cyril 'Blakey' Blake (Stephen Lewis) is on hand to provide the roguish lads with some japery opportunities, with the Hitler lookalike even getting a love interest himself here in the form of the holiday camp Nurse played by Kate Williams. There's some good moments such as a swimming pool sequence of events, or Arthur Mullard attempting to dance (you have to know the actor to understand how funny that can be), while even Brambell doing his normal pervy routine is fun enough at times, but ultimately it rounds out as a picture for fans only, and even then it asks much of us to forgive it its lazy sins. 5/10
The last film to come from the 'On the Buses' television series, the weakest one at that. 'Holiday on the Buses' isn't far off the preceding two spin-offs, but it just felt a bit flat throughout to me. I didn't feel bored by any of it, though also didn't find that much entertainment either. It's just very meh. I am someone who enjoys the actual on the bus shenanigans most, which is somewhat lacking here - and even when they are on a bus, it's a tour one. The sexism remains, to the shock of nobody. Reg Varney, Bob Grant and Stephen Lewis remain enjoyable, especially Lewis. As with the its predecessors, none of the support cast stand out majorly. There are a few amusing moments, but more limp ones to be honest. Most of the jokes felt repeated from the 1971 and 1972 productions. No surprise they ended these films here.
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