Hollywood or Bust
Performance & Direction: Hollywood or Bust Review
Last updated: January 25, 2026
Quick Verdict: Hit or Flop?
Is Hollywood or Bust (1956) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 6.1/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Hollywood or Bust features a noteworthy lineup led by Dean Martin . Supported by the likes of Jerry Lewis and Pat Crowley , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Hollywood or Bust (1956) is mixed. With an audience rating of 6.1/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Hollywood or Bust
Quick Plot Summary: Hollywood or Bust is a Comedy film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Hollywood or Bust
Ending Breakdown: Hollywood or Bust concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Hollywood or Bust reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Hollywood or Bust?
Worth Watching If You:
- Enjoy Comedy films and don't mind familiar tropes
- Are a fan of the cast or director
- Want some laughs and light entertainment
Top Cast: Hollywood or Bust
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Where to Watch Hollywood or Bust Online?
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Amazon VideoHollywood or Bust Parents Guide & Age Rating
1956 AdvisoryWondering about Hollywood or Bust age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Hollywood or Bust is 95 minutes (1h 35m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.1/10, and global performance metrics, Hollywood or Bust is classified as a ABOVE AVERAGE. It remains an essential part of the 1956 cinematic calendar.
Frequently Asked Questions
Is Hollywood or Bust worth watching?
Hollywood or Bust is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 6.1/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Hollywood or Bust parents guide and age rating?
The official parents guide for Hollywood or Bust identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Hollywood or Bust?
The total duration of Hollywood or Bust is 95 minutes, which is approximately 1h 35m long.
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Critic Reviews for Hollywood or Bust
The boys sign off with unbridled joy. Malcolm Smith loves the movies and especially Anita Ekberg. Getting one of his lucky feelings, Malcolm buys a ream of raffle tickets to win a car. Sure enough he wins, but so does gigolo gambler Steve Wiley, who, not unsurprisingly has won by less than honourable means. Refusing to give out two cars, the promotion merely tells the men that they will have to share the car. Much to Steve's annoyance as he has debts to pay. So deviously he agrees to drive with Malcolm to Hollywood, planning to ditch him at the first chance he gets. Only he hadn't figured on Mr. Bascom, Malcolm's Great Dane who's along for the ride, and an encounter with the pretty Terry Roberts. Yep, it's safe to say this is not going to be an ordinary road trip. With their relationship deeply fractured at this time (this was their last film together), it's something of a surprise to find that Hollywood Or Bust is one of the finest films that Dean Martin (Steve) and Jerry Lewis (Malcolm) made. Everything that made the duo so massively popular is in here, even into the bargain daring to cast a satirical slant to the whiles and trials of Hollywood itself. A lot of the credit has to go to director Frank Tashlin. Tashlin, who was also at the helm for arguably the boys career high point Artists & Models, keeps the whole thing zippy, steering the duo in a direction to which they simply could not fail. Sure enough the humour is almost juvenile at times, and yes Dean of course croons and tries to bed the girl (a spiky Pat Crowley as Terry), but it's got such a sense of joy to it, the kind of joy that much like Artists & Models, can really lift the blues. Stand out songs from the Sammy Fain and Paul Francis Webster score are "A Day in the Country" and "It Looks Like Love", whilst it will be tough not to giggle at some of the antics of Mr. Bascom and the irrepressible Lewis, particularly with one particular movie parody. Anita Ekberg comes and joins in the fun later in the piece, just in time for the riotous carnage that you know is around the corner. If the sight of a Great Dane driving a car is not funny to you? Well chances are you should avoid this film completely. But that would be a shame for it's a delightful film, brisk and cheeky, it's most definitely one that's in desperate need of reappraisal from the grumpy brigade because it's a real blues lifter. 8/10
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.








