Is #Horror Worth Watching?
Answer: Maybe not, #Horror is likely a skip if you enjoy Crime movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:#Horror is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.6/10, it has delivered a mixed experience for fans of the Crime, Horror, Thriller genre.
Answer: Maybe not, #Horror is likely a skip if you enjoy Crime movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2015, #Horror emerges as a significant entry in the Crime, Horror, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Inspired by actual events, a group of 12 year old girls face a night of horror when the compulsive addiction of an online social media game turns a moment of cyber bullying into a night of insanity. Unlike standard genre fare, #Horror attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and #Horror features a noteworthy lineup led by Chloë Sevigny . Supported by the likes of Timothy Hutton and Natasha Lyonne , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of #Horror (2015) is negative. With an audience rating of 3.6/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: #Horror is a Crime, Horror, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: #Horror attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of #Horror reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
#Horror incorporates elements from real criminal cases. As a crime, horror, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: #Horror adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $1.5M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for #Horror is $1.5M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.








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Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 3.6/10, and global collection metrics, #Horror stands as a challenging project for the creators. It remains an essential piece of the 2015 cinematic year.
#Horror is considered a flop based on audience ratings of 3.6/10 and lower collections.
Based on the low rating of 3.6/10, #Horror may not be worth watching unless you are a die-hard fan.
#Horror is currently available for streaming on AMC+ Amazon Channel. You can also check for it on platforms like AMC+ Amazon Channel, AMC+, Philo, Sundance Now depending on your region.
This could easy rate as one of the biggest piles of cowshit I have ever seen in my entire life. Saying this consider Chloë Sevigny is in this is quite the statement as she’s one of my favourite actresses of all time. In her defence - she gave as much to her role as possible and it didn’t really set her up with a fighting chance. The movie starts with Chloë Sevigny’s husband cheating on her so I instantly hate this film as who the fuck would cheat on her?! Answer is nobody, not one person who is deemed as sane, ever. Her part is minor in this unfortunately for my eyes and the purpose of distracting me from how dire the movie is. The film is focusing on a group of bratty 12 year olds who you immediately hate and want to die. Within 5 minutes I was praying for some machete yielding manic to come and hack them all to pieces - don’t judge me for saying that until you’ve watched this the entire way through. They’re all bullying eachother with obvious insults such as the fat girls weight, such imagination. They’re having a sleepover and the one who’s invited the new girl they talk about as though she’s a saint but as the movie progresses she’s actually bat shit insane and don’t recall her saying one nice word so not quite sure what happened with that slight deviation of the character traits. The Mother (blessed Chloë) leaves them with free reign of the huge house, alcohol collection and her millions of pounds worth of jewellery to try on. The maid has disappeared to god knows where and apparently nobody thought to keep her in for when the group of 12 year olds are going to be flying solo. At one point and I shit you not they’re all posing with a gun and uploaded it to Facebook like #lookatme diediediediediediedie. They all decided to stick to bullying two of the girls and tell one she has to leave. The rest act as though they’re terrified of this notion for some reason but she eventually runs into the local woods and thank fuck as she was getting on my tits. Her Dad is screening her calls which I completely understand as if that thing belonged to me I would be doing exactly the same if she tried to contact me. “I can’t even see right now wahhhhh” Shut up it’s fucking daylight you ridiculous little gonk. As the 12 year olds are getting white girl wasted, lost girls Daddy comes and has a complete melt down which isn’t scary in the slightest it just makes you raise your eyebrows a bit as to how bad is this actually going to get, absent mindedly moving the mouse to see how long is left of this garbage. It’s impressive how many times “you should go and kill yourself” is said. One time is actually from wandering brats Father to the children inside the house. Again, sort of agree. There’s some art on the wall which the camera moves to a few times which looks like Marilyn Monroe with an egg replacing her face and when the camera is on that, the yolk rotates. I have no idea what the relevance of this is. I DON’’T UNDERSTAND THE RELEVANCE OF THE ENTIRE FUCKING MOVIE. BAD. 2/10 - one for Chloë Sevigny and one for Natasha Lyonne featuring a small part.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.