I Used to Go Here
Performance & Direction: I Used to Go Here Review
Last updated: January 31, 2026
Quick Verdict: Hit or Flop?
Is I Used to Go Here (2020) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and I Used to Go Here features a noteworthy lineup led by Gillian Jacobs . Supported by the likes of Josh Wiggins and Jemaine Clement , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: I Used to Go Here
Quick Plot Summary: I Used to Go Here is a Comedy, Drama, Romance film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: I Used to Go Here
Ending Breakdown: I Used to Go Here attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of I Used to Go Here reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch I Used to Go Here?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Box Office Collection: I Used to Go Here
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $17.3K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
Top Cast: I Used to Go Here
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Where to Watch I Used to Go Here Online?
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Fandango At HomeI Used to Go Here Parents Guide & Age Rating
2020 AdvisoryWondering about I Used to Go Here age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of I Used to Go Here is 87 minutes (1h 27m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.6/10, and global performance metrics, I Used to Go Here is classified as a ABOVE AVERAGE. It remains an essential part of the 2020 cinematic calendar.
Frequently Asked Questions
Is I Used to Go Here worth watching?
I Used to Go Here is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 5.6/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find I Used to Go Here parents guide and age rating?
The official parents guide for I Used to Go Here identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of I Used to Go Here?
The total duration of I Used to Go Here is 87 minutes, which is approximately 1h 27m long.
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How I Used to Go Here Compares & Where it Ranks
Critic Reviews for I Used to Go Here
I Used to Go Here is an alleged comedy about a hack who admits that “I'm not good enough to write a good book so I wrote a sh*tty book.” Not only has this premise been lifted from a Family Guy episode, but the movie's sense of humor is half-assed at best (but what can you expect from producers Andy Samberg, Jorma Tacone, and Akiva Schaffer?). For example, there is a character named Bradley Cooper. That's it. That's the joke. What scriptwriter/director Kris Rey fails to see is that it's not enough to name a character after celebrity; you have to actually do something, go somewhere with it (I'm reminded of the 'Michael Bolton' character in Office Space). What's the point of naming the character Bradley Cooper if no one is ever even going to acknowledge it? You keep waiting for the other shoe to drop, and when it never does, it becomes nothing more than an annoying distraction. Following the release of her new book, novelist Kate Conklin (Gillian Jacobs) receives an invitation from her former college professor, David Kirkpatrick (Jemaine Clement), to speak at her alma mater, the fictional Illinois University. Her novel is called Seasons Passed, and from its cover and what little we hear of it, it wouldn't be out of place in the Nicholas Sparks canon; that is to say, it's the kind of book that gets its author invited to Oprah, not to a higher learning institution. Kate accepts the invitation, and “rediscovers her college, but now through the eyes of the students living there” (All Movie), in whose lives she “finds herself deeply enmeshed” (IMDb). Actually, what Kate "rediscovers" doesn't go much farther than the house where she herself lived as a student, and where she spends most of her stay; meanwhile, the current tenants drop everything (even intercourse, because what kind of college students would have sex when they could get involved in the depressing problems of a 35-year-old instead? The same kind of college students who are never seen attending any classes) to be at her beck and call. In a nutshell, Kate hijacks this group of supposed college students, spends a night with one of them, and then leaves without learning from or teaching them anything; she even turns down a teaching position at the university, though it's not clear what exactly would qualify her for that position in the first place.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.








