Is Interpol Worth Watching?
Answer: Yes, Interpol is definitely worth watching if you enjoy Crime movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Interpol is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.4/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Yes, Interpol is definitely worth watching if you enjoy Crime movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1957, Interpol emerges as a significant entry in the Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U. Unlike standard genre fare, Interpol attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Interpol features a noteworthy lineup led by Victor Mature . Supported by the likes of Anita Ekberg and Trevor Howard , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Interpol (1957) is mixed. With an audience rating of 6.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Interpol is a Crime, Drama film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Interpol concludes its story with a mix of closure and open interpretation. The finale presents its approach to crime resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Interpol reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Interpol incorporates elements from real criminal cases. As a crime, drama film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Interpol adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:










fuboTVAnalyzing the audience sentiment, IMDb rating of 6.4/10, and global collection metrics, Interpol stands as a challenging project for the creators. It remains an essential piece of the 1957 cinematic year.
Interpol has received mixed reviews with a 6.4/10 rating, making it a moderate success with the audience.
Interpol is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
Interpol is currently available for streaming on fuboTV. You can also check for it on platforms like fuboTV depending on your region.
This has got quite a field of recognisable talent, but the story is a bit thin. "Frank McNally" (Trevor Howard) is a ruthless drug dealer who makes a bit of a mockery of the efforts of Interpol to track him down. It's only when he kills the sister of US agent "Sturgis" (Victor Mature) that he finds a foe worthy of him. This fellow is much more determined, and quickly alights on the mule of the operation "Gina" (Anita Ekberg) trailing her all around Europe before finally honing in on his prey as “McNally” plots an huge job in New York. The format of the storyline takes a bit of a travelogue style and though that does give it some pace, it means we spend way too much time on planes, at airports and touring the sites rather than developing any characters of even a substantial plot. Neither Mature nor Howard really engage, Ekberg has practically no dialogue until the very end and the best effort comes from grifter Bonar Colleano's ("Amalio") who seems way more adept at tracking "McNally" than his policeman buddy. The ending is weak - it's more of a testament to the effectiveness of global policing and communications that it is to a thriller, and I felt the whole thing just lacked oomph.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.