Is I.S.S. Worth Watching?
Answer: Maybe not, I.S.S. is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to general audiences.

Verdict:I.S.S. is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.8/10, it has delivered a mixed experience for fans of the Science Fiction, Thriller genre.
Answer: Maybe not, I.S.S. is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2024, I.S.S. emerges as a significant entry in the Science Fiction, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Tensions flare in the near future aboard the International Space Station as a conflict breaks out on Earth. Unlike standard genre fare, I.S.S. attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Science Fiction is often anchored by its ensemble, and I.S.S. features a noteworthy lineup led by Ariana DeBose . Supported by the likes of Chris Messina and John Gallagher Jr. , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of I.S.S. (2024) is mixed. With an audience rating of 5.8/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: I.S.S. is a Science Fiction, Thriller film that explores futuristic concepts and technological possibilities while examining humanity. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. Tensions flare in the near future aboard the International Space Station as a conflict breaks out on Earth. U.S. and Russian astronauts receive orders from the ground: take control of the station by any means necessary. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: I.S.S. attempts to tie together its various plot elements. The finale presents its approach to science fiction resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of I.S.S. reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $13.8M |
| Worldwide Gross | $6.6M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for I.S.S. is $13.8M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.






NetflixAnalyzing the audience sentiment, IMDb rating of 5.8/10, and global collection metrics, I.S.S. stands as a challenging project for the creators. It remains an essential piece of the 2024 cinematic year.
I.S.S. has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
I.S.S. is a mixed bag. It might be worth watching if you're a fan of Science Fiction, Thriller movies, but read reviews first.
I.S.S. is currently available for streaming on Netflix. You can also check for it on platforms like Netflix depending on your region.
There are times when this drama quite effectively illustrates the claustrophobic nature of life aboard the International Space station that is jointly manned by American and Russian scientists. The arrival of "Foster" (Ariana DeBose) brings the tally to three from each nation but very shortly afterwards it's apparent that things on Earth are no-good. What look like volcanic eruptions are occurring all over the place followed by complete radio silence. Well, almost complete. The Americans are given an order that they must assume their counterparts have been given too. What now ensues is a really mediocre sci-fi thriller that tries far too hard to manufacture tension from a misfiring cast and some serious over-scripting. DeBose does enough I suppose, but Chris Messina is his usual wooden self (even if there is a scene that just made me think of that famous line from Brian Blessed). The visual effects do enough but the characterisations are shallow and the plausibility of the entire scenario is dubious. Essentially two warring tribes cohabiting the same space-borne igloo. The denouement doesn't really make a great deal of sense, but I suppose it does ask us to test the relative merits of human nature and decency against the demands of national loyalty - especially when the benefits of either are ambiguous at best. It's not terrible, but I've seen better episodes of "Space 1999".
It's good. Coulda been better, but still good. 'I.S.S.' gave me enough. I do think it could've been paced better and had a bit more intrigue put in there, though what's produced is satisfying. The titular set looks nice and the zero gravity comes across as convincing, while the sound design et al. is all positive. For me, the cast are very solid. It perhaps could've done with a true star performer as no-one stands far and above their co-stars. Ariana DeBose is more than solid, she is the best of those onscreen; albeit narrowly so. Masha Mashkova and Pilou Asbæk are decent, as also are Chris Messina and Costa Ronin. Nothing spectacular evidently, though this release is a perfectly watchable sci-fi flick. I'd recommend it.
It’s unfortunate that a good premise can’t be saved from poor execution, but such is the case with this undercooked sci-fi thriller. When three Americans and three Russians aboard the International Space Station are stranded there when war breaks out between the two countries on Earth, the previously congenial crewmates turn against one another when the two teams of astronauts each receive orders to take control of the facility at any cost. The question in this, of course, is why? As a scientific research center, what material value would there be in taking charge of a remote space-based facility to the Earth-bound survivors of a war-ravaged planet? While the reasoning behind this is eventually explained, its revelation is delayed, leaving viewers with a drawn-out mystery that doesn’t make much apparent sense, especially when taking control calls for a team of intelligent, convivial, supposedly mature scientists to instantaneously turn into murderous territorial thugs. And, even when the big reveal is finally made, it seems like it’s hardly justification enough for this kind of behavior from a group of individuals who are allegedly more psychologically evolved and have supposedly risen above the infantile geopolitical bickering of their counterparts on terra firma. That’s particularly true in light of the many (and I do mean many) references to the crew’s “enlightened” outlook and assumed solidarity, qualities that are repeatedly browbeaten into viewers in the film’s opening act. The fault here lies with a rather lame narrative and a screenplay that doesn’t do much to overcome that failing. The special effects are also somewhat underwhelming for a sci-fi offering, one in which the filmmakers could have done considerably more to make the picture more visually engaging. Sadly, director Gabriela Cowperthwaite, perhaps best known for the superb documentary “Blackfish” (2013), is in over her head with this release, a project that really could have used a more skillful hand in making it the kind of edge-of-your-seat thriller that it deserved to be. Instead, audiences are left with a mediocre sci-fi tale that feels more like something one would find on the SyFy Channel or some other B-grade cable network. You won’t miss much by skipping this one.
I loved this movie and gave it a 8/10 for accomplishing many things for me: - totally believable that this was filmed in space on the I.S.S. - mostly believable characters but I'd change some perfection on the set - I'll never get the moment out of my mind about first seeing a "volcano" from space - it ended appropriately, as it's difficult to find a "perfect ending" - so much introspective that all humans have the capability of doing ruthless things - Sci-Fi totally believable thriller from start to end. (8/10) P.S. If you liked this, you'd also probably like High Life (Mia Goth).
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.