Is Ivanhoe Worth Watching?
Answer: Yes, Ivanhoe is definitely worth watching if you enjoy Adventure movies.
It features a runtime of 106 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Ivanhoe is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Adventure, Romance, History genre.
Answer: Yes, Ivanhoe is definitely worth watching if you enjoy Adventure movies.
It features a runtime of 106 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1952, Ivanhoe emerges as a significant entry in the Adventure, Romance, History domain. The narrative core of the film focuses on a sophisticated exploration of Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart. Unlike standard genre fare, Ivanhoe attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Adventure is often anchored by its ensemble, and Ivanhoe features a noteworthy lineup led by Robert Taylor . Supported by the likes of Elizabeth Taylor and Joan Fontaine , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Ivanhoe (1952) is mixed. With an audience rating of 6.8/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Ivanhoe is a Adventure, Romance, History film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Ivanhoe concludes its story with a mix of closure and open interpretation. The finale presents its approach to adventure resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Ivanhoe reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Ivanhoe draws heavily from documented historical records. As a adventure, romance, history film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, with attention to period detail and historical context.
Accuracy Assessment: Ivanhoe adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $3.8M |
| Worldwide Gross | $10.9M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Ivanhoe is $3.8M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, Ivanhoe stands as a successful venture for the creators. It remains an essential piece of the 1952 cinematic year.
Ivanhoe has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
Ivanhoe is a mixed bag. It might be worth watching if you're a fan of Adventure, Romance, History movies, but read reviews first.
Ivanhoe may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Before me kneels a nation divided - rise as one man, and that one, for England! Out of MGM, Ivanhoe was spared no expense and became the costliest epic produced in England at the time - though the studio millions that were tied into English banks is more telling than any sort of love for the project one feels... It's directed by Richard Thorpe and produced by Pandro S. Berman. The cast features Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Finlay Currie and Felix Aylmer. The screenplay is by Æneas MacKenzie, Marguerite Roberts, and Noel Langley who adapts from the novel Ivanhoe by Sir Walter Scott. The score is by Miklós Rózsa and Freddie Young is on Technicolor cinematography duties with the exterior location work at Doune Castle, Stirling, Scotland. Though the pacing is far from perfect and there's some saggy bits in the script, Ivanhoe remains arguably one of the finest and most under appreciated of MGM's historical epics. Naturally there's some differences from Scott's novel (a given in most genre pieces of this type), but Thorpe and his team come through with the material given and deliver a rousing treat. It looks tremendous courtesy of Young's lensing, where he brilliantly brings to life Roger Furse's costumes and Alfred Junge's majestic sets. Taylor (R), Fontaine and Taylor (E) look delightful, (especially Liz who can easily take you out of the movie such is her beauty here) and their romantic triangle makes for an ever watchable romantic spectacle. The action is on the money, with the attack on Front de Boeuf castle adroitly constructed (and not skimped on time wise), a jousting competition that vividly comes to life (Ivanhoe so tough he challenges all five knights to a contest!), and a Mano-Mano fight between Taylor's Ivanhoe and Sanders' De Bois-Guilbert that is grisly and adrenalin pumping in equal measure (check out the sound work here too). It's also worth acknowledging the anti-semitic part of the story, with the MGM suits thankfully deciding to not ignore this part of Scott's literary source. The three handsome lead stars are backed up superbly by a robust Williams, while the trio of villains played by Sanders, Robert Douglas and the excellent Guy Wolfe as weasel Prince John, deliver the requisite quota of boo hiss villainy. It made big money for MGM, setting records for the studio at the time. It's not hard to see why. It's a beautiful production across the board, and while it's not without faults per se, it holds up regardless as it firmly engages and stirs the blood of the historical epic loving fan. What a year 1952 was for MGM! 8/10
This is a super action-adventure tale about a chivalrous knight battling Norman injustice as he strives to find and restore King Richard I to the English throne. Robert Taylor leads what can safely be described as an all-star cast with Elizabeth Taylor; Joan Fontaine and George Sanders delivering gentle and solid performances. Sir Felix Aylmer stands out too as "Isaac", the Jewish banker who attempts to help "Sir Ivanhoe" raise the huge sum to ransom the King and Finlay Currie is suitably theatrical as "Sir Cedric". The writing is a bit wooden at times but the action scenes, and there are plenty, are all good fun to watch.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.