Is Ivy Worth Watching?
Answer: Yes, Ivy is definitely worth watching if you enjoy Drama movies.
It features a runtime of 99 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Ivy is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.6/10, it has delivered a mixed experience for fans of the Drama, Crime, Thriller genre.
Answer: Yes, Ivy is definitely worth watching if you enjoy Drama movies.
It features a runtime of 99 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1947, Ivy emerges as a significant entry in the Drama, Crime, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of When Ivy, an Edwardian belle, begins to like Miles, a wealthy gentleman, she is unsure of what to do with her husband, Jervis, or her lover, Dr. Unlike standard genre fare, Ivy attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Ivy features a noteworthy lineup led by Joan Fontaine . Supported by the likes of Patric Knowles and Herbert Marshall , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Ivy (1947) is mixed. With an audience rating of 6.6/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Ivy is a Drama, Crime, Thriller film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Ivy concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Ivy reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Ivy incorporates elements from real criminal cases. As a drama, crime, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Ivy adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:










Analyzing the audience sentiment, IMDb rating of 6.6/10, and global collection metrics, Ivy stands as a successful venture for the creators. It remains an essential piece of the 1947 cinematic year.
Ivy has received mixed reviews with a 6.6/10 rating, making it a moderate success with the audience.
Ivy is a mixed bag. It might be worth watching if you're a fan of Drama, Crime, Thriller movies, but read reviews first.
Ivy may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Evil influences are gathering. Ivy is directed by Sam Wood and adapted to screenplay by Charles Bennett from the novel The Story of Ivy written by Marie Belloc Lowndes. It stars Joan Fontaine, Patric Knowles, Herbert Marshall, Richard Ney, Cedric Hardwicke and Lucile Watson. Music is by Daniele Amfitheatrof and cinematography by Russell Metty. Ivy Lexton (Fontaine) has a hunger to be wealthy, and setting her sights on well-to-do Miles Rushworth (Marshall), Ivy plots a fiendish plan that spells trouble for her husband Jervis (Ney) and her lover Roger (Knowles). Well worth discovering, Ivy showcases the dark side of Fontaine’s acting prowess for great entertainment rewards. The beautiful Madame Fontaine actually disowned the movie, and this after she stepped in to the role of Ivy Lexton after her sister Olivia de Havilland turned it down. Her lack of affection for the picture goes some way to explaining why it has remained largely forgotten, which is a shame because it’s a high end gaslight noir propelled by a femme fatale of some considerable substance. The budget was high, and it shows, in the cast list, the costuming and the stunning turn of the century production design by William Cameron Menzies. Metty’s low-key photography cloaks the Edwardian settings with atmospheric snugness, while Amfitheatrof underscores the drama with music that is appropriately tinged with chills. Thematically the piece is focusing on obsessions, by way of man’s ignorant lust and woman’s pursuit of wealth above all else. All characters are defined not by fate here, but by their actions, making for a hornet’s nest of murder and adultery. 1947 was a stellar year for film noir, with big hitting movies like Out of the Past, Nightmare Alley, Kiss of Death, Odd Man Out and Brighton Rock further cementing the growing popularity of noir as a style of film making. As is often the case with the great noir years from the classic cycle, there’s still little gems hidden away waiting to be brought out into the open, Ivy is one such film. Fontaine and the sumptuous noir visual style ensure this to be the case. 8/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.