Is Kangaroo Worth Watching?
Answer: Maybe not, Kangaroo is likely a skip if you enjoy movies.
offers a standard storyline that appeals to general audiences.
Verdict:Kangaroo is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Kangaroo is likely a skip if you enjoy movies.
offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2015, Kangaroo emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of Murugesan aka Kangaroo cares so deeply for his sister Azhagu, whom the local pimp Ticket is lusting after. Unlike standard genre fare, Kangaroo attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Film is often anchored by its ensemble, and Kangaroo features a noteworthy lineup led by Arjuna . Supported by the likes of Sri Priyanka and Varsha Ashwathi , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Kangaroo (2015) is negative. With an audience rating of 4.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Kangaroo is a film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Kangaroo attempts to tie together its various plot elements. The finale presents its approach to narrative resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Kangaroo reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:






Analyzing the audience sentiment, IMDb rating of 4/10, and global collection metrics, Kangaroo stands as a challenging project for the creators. It remains an essential piece of the 2015 cinematic year.
Kangaroo is considered a flop based on audience ratings of 4/10 and lower collections.
Based on the low rating of 4/10, Kangaroo may not be worth watching unless you are a die-hard fan.
Kangaroo may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Kangaroo is about a man's excessive affection for his sister and given Samy's earlier track record with films that had incest as the theme (Uyir and Sindhu Samaveli), this one too could have turned into something similar, but this time, the director changes track just a bit and ensures that things stay well within the line of accepted social mores. Instead of an incestuous character, we get an extremely possessive one. The character of Kangaroo, at least initially, seems like that of the ruffian with a golden heart — a little bit of Paruthiveeran, Ayyanar from Samy's own Mirugam and Mayandi from En Rasavin Manasile (we even get a scene where Kangaroo eats like Rajkiran in that film). And there is an element of brute force even in the way he expresses his love for his sister — he breaks the TV set when he sees that she has cut her fingers while watching TV, he beats up Ticket and his accomplice who try to misbehave with her and he even makes her eat by blackmailing that he will cut his head off if she doesn't! There is melodrama here but not like what we are used to in films like Paasa Malar and Kizhakku Seemayile. But then, the two men who agree to marry Azhagu die due to freak accidents — first, Mani, the guy she loves (their romance is solely built on the fact that they are both fans of actor Ajith) takes a tumble from the hilltop, and then, Karunakaran, the guy who they try to get her married to dies from an accident involving a live wire. Still, Azhagu gets a wedding but someone makes an attempt on the life of her husband Ganesan. And that is when Samy gives us a twist so ridiculous that turns this film from being just a relationship drama into a murder mystery involving schizophrenia. It is an interesting development, sure, but staged rather incompetently that it only ends up as an unconvincing twist. And to make things even weirder, we get a backstory gives a murder touch to this tale. The premise does raise an interesting psychological question — is our love for another human being mainly a function of our need to be connected or can there be truly selfless love — but this filmmaker and the film fail to explore it.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.