Is Kill, Baby... Kill! Worth Watching?
Answer: Yes, Kill, Baby... Kill! is definitely worth watching if you enjoy Horror movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Kill, Baby... Kill! is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.9/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Yes, Kill, Baby... Kill! is definitely worth watching if you enjoy Horror movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1966, Kill, Baby... Kill! emerges as a significant entry in the Horror domain. The narrative core of the film focuses on a sophisticated exploration of A 20th century European village is haunted by the ghost of a murderous little girl. Unlike standard genre fare, Kill, Baby... Kill! attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and Kill, Baby... Kill! features a noteworthy lineup led by Giacomo Rossi Stuart . Supported by the likes of Erika Blanc and Fabienne Dali , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Kill, Baby... Kill! (1966) is mixed. With an audience rating of 6.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Kill, Baby... Kill! is a Horror film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Kill, Baby... Kill! concludes its story with a mix of closure and open interpretation. The finale presents its approach to horror resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Kill, Baby... Kill! reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $50.0K |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Kill, Baby... Kill! is $50.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Analyzing the audience sentiment, IMDb rating of 6.9/10, and global collection metrics, Kill, Baby... Kill! stands as a successful venture for the creators. It remains an essential piece of the 1966 cinematic year.
Kill, Baby... Kill! has received mixed reviews with a 6.9/10 rating, making it a moderate success with the audience.
Kill, Baby... Kill! is a mixed bag. It might be worth watching if you're a fan of Horror movies, but read reviews first.
Kill, Baby... Kill! may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Colorful Italian Gothic/Horror from Mario Bava RELEASED IN 1966 and directed by Mario Bava, "Kill, Baby, Kill" takes place in a Carpathian village in 1907 where Dr. Paul Eswai (Giacomo Rossi-Stuart) arrives to perform an autopsy at the request of the inspector (Piero Lulli). The evidence points to the hamlet being cursed with a mysterious ghost girl that compels those who see her to kill themselves, which the doctor thinks is rubbish; at first anyway. Erika Blanc plays a visiting medical student who assists Eswai while Fabienne Dali appears as the village witch and Giovanna Galletti as a bitter baroness. Luciano Catenacci is on hand as the burgomaster (mayor) and the witch’s lover. The movie has a colorful and haunting Gothic/Horror ambiance, which can be traced to earlier films like the B&W "The City of the Dead" (aka "Horror Hotel") (1960) and, more so, “The Terror” (1963), which was one of Francis Ford Coppola’s early works, although he only directed part of it. Like those flicks, “Kill, Baby, Kill” features mysterious manors, dilapidated churches, ghosts, cobwebs, witches and bell towers in the mold of Hammer flicks of the era, such as the contemporaneous "Dracula, Prince of Darkness" (1966). As far as spooky MOOD goes, “Kill, Baby, Kill” is superb, but the story isn’t as compelling as “The Terror,” except for the last act. Nevertheless, the movie has influenced many artists and their works. Rossi-Stuart makes for a stalwart protagonist in the mold of James Bond (looks-wise) while Erika Blanc and Fabienne Dali work well on the other side of the gender spectrum, both striking in different ways. The title of the film is cheesy and recalls Russ Meyer’s “Faster, Pussycat! Kill! Kill!” from the year before. It was obviously used to give the film a “hip” edge and sell as many tickets as possible. In 1971 it was retitled “Curse of the Living Dead” in the US, which was a 100% improvement. Here are several other sample titles that would be an upgrade, as well as more accurate: “Village of the Laughing Dead”; “Night of the Laughing Dead”; “Child of Vengeance”; “The Ghost at the Window”; “Child Cursed Village”; “Forgotten Daughter”; “Make them Pay”; “Sorceress' Regret”; “Melissa”; and “Melissa’s Curse.” Okay, now for a few joke titles: “Melissa and her Sissa”; “The Graps of Wrath”; “That Damn Ball” and “Ghost Boy in Drag.” That last one is due to the fact that the ghost girl was played by a boy, one-shot actor Valerio Valeri. THE MOVIE RUNS 1 hour, 23 minutes and was shot entirely in Rome, Lazio, Italy. WRITERS: Romano Migliorini, Roberto Natale and Bava. GRADE: B
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.