Is Kill Me Tomorrow Worth Watching?
Answer: Maybe not, Kill Me Tomorrow is likely a skip if you enjoy Crime movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Kill Me Tomorrow is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.2/10, it has delivered a mixed experience for fans of the Crime, Thriller genre.
Answer: Maybe not, Kill Me Tomorrow is likely a skip if you enjoy Crime movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1957, Kill Me Tomorrow emerges as a significant entry in the Crime, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of A reporter who needs cash for his son's operation is paid by a smuggler to take a murder rap. Unlike standard genre fare, Kill Me Tomorrow attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Kill Me Tomorrow features a noteworthy lineup led by Pat O'Brien . Supported by the likes of Lois Maxwell and George Coulouris , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Kill Me Tomorrow (1957) is mixed. With an audience rating of 5.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Kill Me Tomorrow is a Crime, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Kill Me Tomorrow attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Kill Me Tomorrow reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Kill Me Tomorrow incorporates elements from real criminal cases. As a crime, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Kill Me Tomorrow adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:









Analyzing the audience sentiment, IMDb rating of 5.2/10, and global collection metrics, Kill Me Tomorrow stands as a challenging project for the creators. It remains an essential piece of the 1957 cinematic year.
Kill Me Tomorrow has received mixed reviews with a 5.2/10 rating, making it a moderate success with the audience.
Kill Me Tomorrow is a mixed bag. It might be worth watching if you're a fan of Crime, Thriller movies, but read reviews first.
Kill Me Tomorrow may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
"Crosbie" (Pat O'Brien) is a jaded old journalist who is involved in a car accident that robs him of his wife and seriously injures his son. Now facing a bill of £1,000 to send him to Switzerland for urgent treatment, he becomes desperate and turns to the dubious "Webber" (George Coulouris) and offers to take the rap for the recent death of his old boss if he will fund the surgery. What "Crosbie" hadn't figured on, though, was the police actually wanting to get to the bottom of the crime and "Insp. Lane" (Wensley Pithey) isn't convinced he has his man! The only solution for "Crosbie" now might be to team up with fellow reporter "Jill" (Lois Maxwell) and see if they can solve the crime themselves. It took me a while to recognise a very young Richard Pascoe as the doctor and Tommy Steele also features briefly, but otherwise this is all a rather formulaic drama that is probably fifteen minutes longer than it needs to be. It's reasonably paced and passes the time, but you won't recall it afterwards.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.

