Is Kull the Conqueror Worth Watching?
Answer: Maybe not, Kull the Conqueror is likely a skip if you enjoy Adventure movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Kull the Conqueror is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.0/10, it has delivered a mixed experience for fans of the Adventure, Fantasy, Action genre.
Answer: Maybe not, Kull the Conqueror is likely a skip if you enjoy Adventure movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1997, Kull the Conqueror emerges as a significant entry in the Adventure, Fantasy, Action domain. The narrative core of the film focuses on a sophisticated exploration of A barbarian named Kull becomes ruler after defeating the old king in battle. Unlike standard genre fare, Kull the Conqueror attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Adventure is often anchored by its ensemble, and Kull the Conqueror features a noteworthy lineup led by Kevin Sorbo . Supported by the likes of Tia Carrere and Karina Lombard , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Kull the Conqueror (1997) is mixed. With an audience rating of 5.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Kull the Conqueror is a Adventure, Fantasy, Action film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Kull the Conqueror attempts to tie together its various plot elements. The finale presents its approach to adventure resolution.
The climactic sequence delivers on the escalating tension, offering viewers material for post-viewing discussion.
The final moments of Kull the Conqueror reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $30.0M |
| Worldwide Gross | $6.1M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Kull the Conqueror is $30.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5/10, and global collection metrics, Kull the Conqueror stands as a challenging project for the creators. It remains an essential piece of the 1997 cinematic year.
Kull the Conqueror has received mixed reviews with a 5/10 rating, making it a moderate success with the audience.
Kull the Conqueror is a mixed bag. It might be worth watching if you're a fan of Adventure, Fantasy, Action movies, but read reviews first.
Kull the Conqueror may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
***“By this Axe I Rule!”*** An Atlantean barbarian (Kevin Sorbo) takes the throne of Valusia when he defeats King Borna (Sven-Ole Thorsen) and so General Taligaro (Thomas Ian Griffith) & assorted “noble-blooded” men conspire to overthrow Kull by resurrecting the wicked Acheron sorceress Akivasha (Tia Carrere). Karina Lombard plays Kull’s love interest, Zareta, while Litefoot is on hand as the priest Ascalante. Released in 1997, thirteen years after the last Conan movie, “Kull the Conqueror” was intended to be the third Conan film, but Schwarzenegger declined so they morphed it into a Kull movie. For those not in the know, Kull was author Robert E. Howard’s other barbarian hero, who wasn’t as popular as Conan. Kull, incidentally, existed thousands of years before Conan’s Hyborian Age. The switch didn’t really matter because the script was loosely based on Howard’s Conan story "The Phoenix on the Sword," which was a rewrite of the Kull yarn “By this Axe I Rule.” Sorbo was in his prime here and definitely looks like Kull from the comics, except he has his characteristic geniality whereas Kull was more grim and brooding in Howard’s tales. Nevertheless, Sorbo is well cast and one of the film’s highlights. The score by Joel Goldsmith is quite good, except for a couple of semi-cheesy metal riffs, like the eye-rolling riff near the beginning and another one much later during the fight at the ice cave, which isn’t as bad. At least half of the score lacks any metal guitar whatsoever and most of the pieces that do include it are very good; there’s just a couple of dubious riffs, which turned me off the first time I watched the movie. These wannabe metal rhythms were rather lame in 1997, let alone today. Another flaw is that the opening of the movie is weak with Kull’s dealings with the Dragon Legion and his fiery sword fight with Taligaro. If you’re patient, however, the story takes a compelling turn with the palace confrontation. The production is acceptable, but noticeably inferior to “Conan the Destroyer” (1984). I’d say it’s on par with “The Sword and the Sorcerer” (1982), but with a superior story and more interesting characters (once you get past the lousy opening). I should add that Tia looks great as a green-eyed redhead and the fiery demon F/X at the close are quite effective. IF you can handle its obvious shortcomings, “Kull the Conqueror” is an entertaining S&S flick that should be enjoyed by fans of Conan, Sinbad and the like. If you watched it before and didn’t like it, give it a second chance. I’m glad I did. It’s flawed, but there’s too much to appreciate to give it a negative rating. The film runs 1 hour, 35 minutes and was shot in Slovakia (Bratislava & Cerveny Kamen) and Croatia (Kornati National Park & Murter Island). GRADE: B-/C+
When the ageing but warlike king of “Valusia” decides to do away with many of those who could be heirs to his kingdom, it takes all the strength of the brave “Kull” (Kevin Sorbo) to stop him. In return, the now ailing “Borna” decides to name him his successor! This goes down like a lead balloon with the now circumvented “Prince Ducalon” (Dougie Henshall) and the general “Talibaro” (Thomas Ian Griffith) who promptly plot to be rid of the man they see as a usurper. To that end, they decide on the distinctly dangerous practise of resurrecting the long dead and profoundly evil “Queen Akivasha” (Tia Carrere) who just happens to make Medusa look like Julie Andrews. Of course, once she has air back in her lungs, she imposes her own agenda and soon it falls to “Kull” to try to thwart her attempts to rebuild her long lost empire and… yep, you’ve guessed… rule the world! Some creative effort has gone into the visual effects, and there are plenty of set-piece combat scenes, but the rest of this just reminds you of a dodgy and poorly lit television movie filmed almost entirely on a sound stage and completely devoid of any jeopardy or peril. Sorbo has some charism as “Hercules” (1995) but here, there’s simply no room for that as the story evolves, peplum-style, for ninety minutes that had me looking to watch “Krull” instead. My money was on “Akivasha”.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.