Is Lisa Frankenstein Worth Watching?
Answer: Yes, Lisa Frankenstein is definitely worth watching if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Lisa Frankenstein is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Horror, Comedy, Romance genre.
Answer: Yes, Lisa Frankenstein is definitely worth watching if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2024, Lisa Frankenstein emerges as a significant entry in the Horror, Comedy, Romance domain. The narrative core of the film focuses on a sophisticated exploration of In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way. Unlike standard genre fare, Lisa Frankenstein attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and Lisa Frankenstein features a noteworthy lineup led by Kathryn Newton . Supported by the likes of Cole Sprouse and Liza Soberano , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Lisa Frankenstein (2024) is mixed. With an audience rating of 6.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Lisa Frankenstein is a Horror, Comedy, Romance film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
The horror unfolds through carefully crafted atmosphere and escalating dread. In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way. The film uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Ending Breakdown: Lisa Frankenstein concludes its story with a mix of closure and open interpretation. The finale presents its approach to horror resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Lisa Frankenstein reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $13.4M |
| Worldwide Gross | $9.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Lisa Frankenstein is $13.4M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










NetflixAnalyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Lisa Frankenstein stands as a challenging project for the creators. It remains an essential piece of the 2024 cinematic year.
Lisa Frankenstein has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Lisa Frankenstein is a mixed bag. It might be worth watching if you're a fan of Horror, Comedy, Romance movies, but read reviews first.
Lisa Frankenstein is currently available for streaming on Netflix. You can also check for it on platforms like Netflix depending on your region.
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/lisa-frankenstein-review-theres-no-middle-ground/ "Lisa Frankenstein marks my first disappointment of the year. The youthful cast wholeheartedly embraces their campy roles, infusing deliberately exaggerated emotions and expressiveness for an evening of light entertainment with the promised levels of blood and 'macabreness'. Sadly, the screenplay lacks the same commitment to the absurd, resulting in tonal and thematic inconsistencies throughout a narrative less imaginative than anticipated. The ensuing indifference and uncertainty regarding the film's point and message leave a bittersweet taste..." Rating: C
Horror-Comedy (not the opposite) directed by Zelda Willians in her full feature film, and written by Diablo Cody (Juno, Jennifer's Body) that tells the story of a grief stricken teenager who had her mother slaughtered, and lives now with an abusive mother-in-law and a lovely sister-in-law. Kathryn Newton as Lisa is perfect for her role. Stigmatized by her past and actions the is the black swan of the school, and passes a lot of time in a old cemetery (watch the credits animation closely) of the 19th century on a tomb of another teenager that died with a green lighting into 1837. The movie emulates the 80's teenage romance-comedies (it passes in 89), in a light way till a certain previsible point - for sure it isn't as sugary as you may think to those who wonder. And have an unsuspected ending. I think it was worth for some laughs on a weekend night - I score it 6,6 out of 10,0 / B for the fun.
"Lisa" (Kathryn Newton) is a bit of a loner who lives in one of those second families where her rather feeble dad (Joe Chrest) has married the rather vain and odious "Janet" (Carla Gugino) who has a friendly daughter "Taffy" (Liza Soberano). At school, she has taken a shine to floppy-haired heart-throb "Michael" (Henry Einkenberry) and he seems to be a little interested too. Might romance blossom? Suddenly a lightening strike changes everything. The long-dead occupant of a grave she habitually sits beside when she is reading (Cole Sprouse) is electronically reinvigorated and finds his way into her home, her wardrobe and now, as with "ET", she has her own secret creature in the closet. Thing is, there are bits of her new friend missing - his ear, his tongue, his hand (that's not a comprehensive list!) - so the ensuing escapades mix science with comedy and some good old doses of vengeance as they try to restore him to his former, piano playing, glory. It could have been much more fun, this, if it had committed to the audience one way or the other. It's clearly gone for a wide appeal and so compromised on the darkness and adult nature of the humour. Many of the scenarios - especially at the the rather brutal and eye-watering conclusion, could have worked so much better had Zelda Williams aimed the movie more at those who could appreciate the dark comedy rather than dilute it down to something akin to a frat-comedy. It's better than I was expecting, and Newton does fine as the film progresses, it's just a shame it didn't really know were to go or who it was for.
There are glimpses of goodness, though so short they don't hide the film's frailties. 'Lisa Frankenstein' is, in my opinion, a disappointment. I can kinda see what they were going for and at times I could appreciate it, but all in all it doesn't really work for me. I will say the pacing isn't actually that bad, the film went by relatively quickly. The two big weaknesses to me were the dialogue and simply the story in general, both are rather quite dull... if they weren't, I may have enjoyed this. The cast are one of the film's more positive features. I like Kathryn Newton, I remember thinking she was great in the similarly underwhelming 'Freaky' from 2020, and she does try with what she's got to work with here. Carla Gugino is possibly the standout, I would've liked to have seen more of her. Liza Soberano is alright, while Joe Chrest plays a literal continuation of his Ted Wheeler. I will say that I felt the film did slightly improve towards the end, just not enough for me to say that I had a good time watching it unfortunately. I got to see this in an empty cinema, which is always nice. I see this got released basically a month ago everywhere else, wonder why the UK got it so late. I guess as there seemingly aren't as many films out right now due to that sandworm movie thingy taking over? Who knows.
A horrible movie written by an empathetically void and morally bankrupt sociopath. In the beginning quirky with a torrent of jokes that all fall completely flat. Lighting done by what must be a blind diversity hire, as we almost can't see what's going on 90% of the time. Then, our supposed protagonist becomes a psychopathic serial murderer, which apparently is not only okay, but something to laugh about and root for. Anyone crosses Lisa the slightest, they're fair game for being murdered and then mocked and their death celebrated with laughs and dancing. I haven't seen anything this morally decrepit since Natural Born Killers, but that movie was an ironic critique of pop culture and the media's obsession with death and violence. This "movie" just plainly celebrates the same psychopathic behavior unironically and unapologetically. Ew. That this filth can be produced today without someone not insane stopping it along the way worries me. I'd rather have my children watch The Texas Chainsaw Massacre than this insane on-screen feces.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.