Is Lockout Worth Watching?
Answer: Maybe not, Lockout is likely a skip if you enjoy Action movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Lockout is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.9/10, it has delivered a mixed experience for fans of the Action, Thriller, Science Fiction genre.
Answer: Maybe not, Lockout is likely a skip if you enjoy Action movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2012, Lockout emerges as a significant entry in the Action, Thriller, Science Fiction domain. The narrative core of the film focuses on a sophisticated exploration of Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President's daughter from rioting convicts at an outer space maximum security prison. Unlike standard genre fare, Lockout attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Action is often anchored by its ensemble, and Lockout features a noteworthy lineup led by Guy Pearce . Supported by the likes of Maggie Grace and Vincent Regan , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Lockout (2012) is mixed. With an audience rating of 5.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Lockout is a Action, Thriller, Science Fiction film that delivers high-octane sequences and adrenaline-pumping confrontations that keep viewers on the edge of their seats. This summary provides a scannable look at the movie's central conflict and narrative structure.
The narrative structure follows a classic action blueprint: establish the protagonist's world, introduce a formidable antagonist, and escalate the stakes through increasingly intense confrontations. Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President's daughter from rioting convicts at an outer space maximum security prison. The film balances spectacular set pieces with character moments, ensuring the action serves the story rather than overwhelming it.
Ending Breakdown: Lockout attempts to tie together its various plot elements. The finale presents its approach to action resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Lockout reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $20.0M |
| Worldwide Gross | $32.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Lockout is $20.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.9/10, and global collection metrics, Lockout stands as a challenging project for the creators. It remains an essential piece of the 2012 cinematic year.
Lockout has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
Lockout is a mixed bag. It might be worth watching if you're a fan of Action, Thriller, Science Fiction movies, but read reviews first.
Lockout may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
We watched this movie more or less by chance last evening. We normally do not have Canal+ in our “bouquet” but they are making a drive right now so everyone can watch Canal+ for a couple of weeks and this movie looked interesting, at least compared to the rest of the choice available that evening, so we watched it. It was a surprisingly entertaining evening movie. It is pretty much a standard Hollywood nonsensical pop-corn movie but it is a well done one. It makes no pretence of being anything else than it is. The story is a fairly predictable action story. Hero gets framed during the introduction scenes. Quick flip to the space prison that is going to serve as the scenery of the bulk of the movie. Dumbass thinks he is more clever than everyone else so he breaks the rules. Goes bad. Prisoners break out. President’s daughter just happens to be there at the same tame. Our hero is sent in to save the day. Action time! There are a few more complications to the story but that is pretty much it. It is a simple and solid story that pretty much holds water. It would have been a fairly standard, even mediocre, movie if it was not for our hero which is doing an admirable job of playing hero and tough guy. The dialog, as nonsensical as it is, definitely lifts the move. The action is fairly good and so are the special effects although it is by no means a movie that is held up by its effects. The main bad guy is a really irritating psychotic son-of-a-bitch. The actor is doing a good job of portraying him but the character itself bugged the hell out of me when watching the movie. He is a bit over the top that has to be said. Anyway, the movie was quite entertaining as an evening pop-corn flick and since we picked it more or less by chance and did not know much about it before hand it was indeed a fairly pleasant surprise.
Nobody smokes anymore, Snow! I was kind of inclined to headline this as being the movie guaranteed to make highbrow film fans froth with incredulity. That anyone could enjoy such a derivative, tongue-in-cheek, low ambition piece of schlock, is surely cause for venomous spleen venting from the serio film brigade. They call them guilty pleasures, but thing is, I just don't feel guilty about having such a wonderfully fun filled great time with the Luc Besson produced Lockout. Plot? Well it's the future and basically Guy Pearce (Snow) is wrongly convicted of a crime and sentenced to do stir in stasis until whenever. But up in space at the MS1 prison facility, home to all the maniacs found in "Demolition Man", the president's daughter, do-gooder babe Emilie Warnock (Maggie Grace), is suddenly taken captive and it's a big hostage situation. This looks like a mission for a serious hard bastard type! Well "Snake Plissken" wasn't available, so they get Snow, who is bulked up, full of wise cracks and has a point to prove. Guess what follows? Yep, complete popcorn frenzy as Pearce and Grace cut a swathe through MS1 and have a date with coolness personified. On the way, via a truly gorgeous sci-fi affected Blu-ray print, we will tick off the homages and influences and compare notes with our viewing partners about how it's a "Snake Plissken" movie but with Shane Black type dialogue. While those who are partial to a bit of sci-fi design are well served here. Because even though there might be the worst CGI effects ever during a chase scene (that mercifully only runs for 50 seconds), the space ships, sets and Torsion System sequence, prove that you don't need Michael Bay type bucks to please the eyes. From the quite brilliant and hilarious opening interrogation beat down, to the big reveal and punch line, this Besson produced piece is serving popcorn with a smile to a certain segment in the film watching populace. With bits of the "Snake Plissken" movies, "Fortress", "Die Hard", "Commando", "Demolition Man", "Minority Report", "Last Boy Scout" and any other quip laden dude/wronged man on a mission movie, Lockout clearly lacks originality. But seriously! Was anyone involved playing it as anything other than a sly homage movie? No, they wasn't. Pearce is great fun in the role, but he isn't trying to worry the highbrow crowd's votes for films of the year. Anyone viewing it expecting something cerebral should feel more guilty than those who stand up to say they had a great time watching it. Ingem Ferem. 7/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.