Mahler
Performance & Direction: Mahler Review
Last updated: January 23, 2026
Quick Verdict: Hit or Flop?
Is Mahler (1974) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Mahler features a noteworthy lineup led by Robert Powell . Supported by the likes of Georgina Hale and Lee Montague , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Mahler (1974) is mixed. With an audience rating of 6.6/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Mahler
Quick Plot Summary: Mahler is a Drama, Music film that explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Mahler
Ending Breakdown: Mahler concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of Mahler reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Mahler?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of the cast or director
- Want a character-driven story with emotional moments
Top Cast: Mahler
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Where to Watch Mahler Online?
Streaming Hub📺 Stream on
Criterion ChannelMahler Parents Guide & Age Rating
1974 AdvisoryWondering about Mahler age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Mahler is 115 minutes (1h 55m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 6.6/10, and global collection metrics, Mahler stands as a successful venture for the creators. It remains an essential piece of the 1974 cinematic year.
Frequently Asked Questions
Is Mahler worth watching?
Mahler is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.6/10 and stands as a HIT in our box office analysis.
Where can I find Mahler parents guide and age rating?
The official parents guide for Mahler identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Mahler?
The total duration of Mahler is 115 minutes, which is approximately 1h 55m long.
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How Mahler Compares & Where it Ranks
Critic Reviews for Mahler
As biopics go, this has to be the least structured and most creatively ambiguous I think I’ve ever seen. It sort of follows a chronology of the life of Gustav Mahler (Robert Powell) using a train journey with his wife Alma (Georgina Hale) and a wide selection of his music as a conduit for just how we got here. It’s safe to say that the marriage isn’t exactly happy. She resents the time he spends composing and conducting and even though they have a very comfortable life with their children, she yearns for something more. He, meantime, is so subsumed in his art that he doesn’t notice, or realise, or maybe even care that his wife might leave him for a dashing soldier who rather smugly confronts an obviously now poorly Mahler in their compartment. Ken Russell doesn’t, however, just give us a join the dots version of their temperamentally charged lives. We dart about using current scenarios, other passengers on the train, even the porters to paint a picture of their opulent discomfort whilst regaling us with numerous flashbacks illustrating happier times, family times and healthier ones too. It’s as if someone took a jigsaw of this man’s life and threw the pieces into the air. We have to try to put it back together again, except we only have bits of the guide picture from which to work and so coupled with his rousing music we are presented with much more of a puzzle than you’d expect from the title. In many ways, it could easily be an Ingmar Bergman film - the style of costumes, photography and brilliant light all have a certain sterility to them that marries the classic with the impersonal and though chemistry wouldn’t be the right word, there is certainly something between the on-form Powell and Hale. There is one scene in this with Mahler in a glass-topped coffin that is positively and claustrophobically surreal, and that rather sums up this clever take on an history of a enigmatic man obsessed. Big screen audio does the orchestrations extra justice, but even if you’re not a great fan of his works, this is quirky film-making at it’s best.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










