Is Maleficent: Mistress of Evil Worth Watching?
Answer: Yes, Maleficent: Mistress of Evil is definitely worth watching if you enjoy Family movies.
It features a runtime of 119 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Maleficent: Mistress of Evil is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.3/10, it has delivered a compelling experience for fans of the Family, Fantasy, Adventure genre.
Answer: Yes, Maleficent: Mistress of Evil is definitely worth watching if you enjoy Family movies.
It features a runtime of 119 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2019, Maleficent: Mistress of Evil emerges as a significant entry in the Family, Fantasy, Adventure domain. The narrative core of the film focuses on a sophisticated exploration of Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play. Unlike standard genre fare, Maleficent: Mistress of Evil attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Family is often anchored by its ensemble, and Maleficent: Mistress of Evil features a noteworthy lineup led by Angelina Jolie . Supported by the likes of Elle Fanning and Harris Dickinson , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Maleficent: Mistress of Evil (2019) is overwhelmingly positive. With an audience rating of 7.3/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Maleficent: Mistress of Evil is a Family, Fantasy, Adventure film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
The film operates on multiple levels, using its genre framework to explore deeper themes about human nature, society, and the choices that define us.
Ending Breakdown: Maleficent: Mistress of Evil resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to family resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Maleficent: Mistress of Evil reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $185.0M |
| Worldwide Gross | $491.7M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Maleficent: Mistress of Evil is $185.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










JioHotstarAnalyzing the audience sentiment, IMDb rating of 7.3/10, and global collection metrics, Maleficent: Mistress of Evil stands as a successful venture for the creators. It remains an essential piece of the 2019 cinematic year.
Maleficent: Mistress of Evil is considered a hit based on audience response and box office performance. With a rating of 7.3/10, it's highly recommended for fans of Family, Fantasy, Adventure movies.
Yes, Maleficent: Mistress of Evil is definitely worth watching! It's a must-watch hit for fans of Family, Fantasy, Adventure cinema.
Maleficent: Mistress of Evil is currently available for streaming on JioHotstar. You can also check for it on platforms like JioHotstar depending on your region.
‘Maleficent: Mistress of Evil’ is not only a surprising follow-up to the original film, but also among 2019’s live-action Disney offerings is the only one that I actually sat through and enjoyed. It made me laugh, and the action is really engaging. Jolie and Pfeiffer are having so much fun that you can't help but join in. Yes, it’s filled with flaws, but it’s nice to leave a Disney film not wanting to cry in a ball and question if you really ever liked them. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-maleficent-mistress-of-evil-disney-still-have-some-magic-left-in-them
Great watch, would watch again, and can recommend. This was a very impressive sequel to the original. I'm sure it had something to do with low expectations, "What are they going to do to follow THAT....ohhhh". It's probably the first time I've registered a large scale battle like this movie has since....I guess "Infinity War", but "Lord of the Rings" seems more apt as it is a fantasy movie as well. What's really odd is that this movie has too many story lines, but still manages to balance them acceptably. It also goes the extra mile to explore the angle of "it doesn't matter how different we are, but what we do with our potential" sort of thing. There are race traitors, and true examples of evil disregard for life. Michelle Pfieffer really owns her role as an evil queen, and sure they go into backstory to give a modicum of justification, but she gets into death in a very psychotic fashion, not to mention the page. While the most charming part of the movie is the most boring, unity and peace, it is amazing at the great lengths people will go to prevent such a thing, and that's really the movie that you're watching here: someone going to every length to be a hero, and just being a jerk instead. Well worth the watch, and I think most would enjoy even without having watched the first.
More sluggish than entertaining, for me anyway. I enjoyed the first film, but 'Maleficent: Mistress of Evil' is one I never really got into. The whole premise surrounding Angelina Jolie's character is uninteresting, not helped by a lack of serious rationale for why characters, other than Maleficent, are acting the way they are; namely Michelle Pfeiffer's Queen Ingrith. At best, it's lame motivation. Jolie remains the star, while Elle Fanning is solid enough. Pfeiffer isn't as enjoyable as she should be, mainly due to the aforementioned, but still produces a good display. Chiwetel Ejiofor is a terrific addition to the cast, but I can't honestly say I'll remember his performance here - which is a shame. Warwick Davis is, slightly, underused too. Also, how strange to see former professional footballer John Carew on the cast; albeit in a minor role. The effects are, pleasingly, an upgrade at least; they all look great. I hold no ill feelings towards this, I just wish it was greater.
A lot better then the first. This one had a lot more action and some epic battles. Easily the best out of the series.
In the best tradition of Disney, this film has a rousing score and looks stunning; but just like the recent rehash of "the Lion King" is entirely an example of style over substance. Maleficent is meant to be evil - like Venger from "Dungeons and Dragons". Instead we get a sugary, goody-goody with all the venom of a water snake. Robert Lindsay, Chiwitel Ejiofor and Harris Dickinson fail to make any impression at all leaving Michelle Pfeiffer to reprise her role from "Stardust" and try to salvage something - anything - from a very weak storyline. It seems uncertain as to whom this film is actually for - but if it is meant to be for children, then it has no business being two hours long.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.



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