Performance & Direction: Meet Mr. Lucifer Review
Last updated: January 25, 2026
Quick Verdict: Hit or Flop?
Is Meet Mr. Lucifer (1953) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 5.1/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Fantasy.
Cast Performances: A Masterclass
The success of any Fantasy is often anchored by its ensemble, and Meet Mr. Lucifer features a noteworthy lineup led by Stanley Holloway . Supported by the likes of Peggy Cummins and Jack Watling , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Meet Mr. Lucifer (1953) is mixed. With an audience rating of 5.1/10, it stands as a decent one-time watch.
Story & Plot Summary: Meet Mr. Lucifer
Quick Plot Summary: Meet Mr. Lucifer is a Fantasy, Comedy film that transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Meet Mr. Lucifer
Ending Breakdown: Meet Mr. Lucifer attempts to tie together its various plot elements. The finale presents its approach to fantasy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the fantasy themes established throughout the runtime.
The final moments of Meet Mr. Lucifer reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Meet Mr. Lucifer?
Consider Watching If:
- You're a completist for Fantasy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Meet Mr. Lucifer
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Meet Mr. Lucifer Parents Guide & Age Rating
1953 AdvisoryWondering about Meet Mr. Lucifer age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Meet Mr. Lucifer is 83 minutes (1h 23m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.1/10, and global performance metrics, Meet Mr. Lucifer is classified as a AVERAGE. It remains an essential part of the 1953 cinematic calendar.
Frequently Asked Questions
Is Meet Mr. Lucifer worth watching?
Meet Mr. Lucifer is definitely worth watching if you enjoy Fantasy movies. It has a verified rating of 5.1/10 and stands as a AVERAGE in our box office analysis.
Where can I find Meet Mr. Lucifer parents guide and age rating?
The official parents guide for Meet Mr. Lucifer identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Meet Mr. Lucifer?
The total duration of Meet Mr. Lucifer is 83 minutes, which is approximately 1h 23m long.
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How Meet Mr. Lucifer Compares & Where it Ranks
Critic Reviews for Meet Mr. Lucifer
The Devil's Goggle Box. Meet Mr. Lucifer is directed by Anthony Pelissier and adapted to screenplay by Monja Danischewsky from Arnold Ridley's (later to play private Godfrey in the long running situation comedy) Dad's Army) play (Beggar My Neighbour). It stars Stanley Holloway, Peggy Cummins, Jack Watling, Barbara Murray, Joseph Tomelty, Humphrey Lestocq and Gordon Jackson. Music is by Eric Rogers and cinematography by Desmond Dickinson. Out of Ealing Studios, Meet Mr. Lucifer is one of that great studio's lesser lights. Homing in on a sort of fear of the new home entertainment of the 50s, that of the TV set, plot features a television set that moves from owner to owner and causes nothing but trouble for said owners. This of course is the work of Old Nick himself, here essayed with a glint in his eye by Holloway. Sadly the attempts at satire miss the mark, leaving us with a somewhat uneven mix of comedy and seriousness. On the plus side it opens the eyes to the iffy quality on the TV in the early 50s, while there's a roll call of fine British actors in the supporting (cameo) slots. Interestingly the Ealing hierarchy were very wary of the themes at the core of the picture, which explains why Pelissier was fetched in to direct. Knowing they themselves were uncommitted to the production goes some way to explaining the flat feel to it all. 5/10
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










