Is Morocco Worth Watching?
Answer: Yes, Morocco is definitely worth watching if you enjoy Drama movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Morocco is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Yes, Morocco is definitely worth watching if you enjoy Drama movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1930, Morocco emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Mogador, Morocco. Unlike standard genre fare, Morocco attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Morocco features a noteworthy lineup led by Gary Cooper . Supported by the likes of Marlene Dietrich and Adolphe Menjou , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Morocco (1930) is mixed. With an audience rating of 6.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Morocco is a Drama, Romance film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Morocco concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Morocco reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $491.0K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Morocco is $491.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Morocco stands as a challenging project for the creators. It remains an essential piece of the 1930 cinematic year.
Morocco has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Morocco is a mixed bag. It might be worth watching if you're a fan of Drama, Romance movies, but read reviews first.
Morocco may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Before there was Mogadon, there was Mogador - a town in Morocco in which the wealthy "La Bessiere" (Adolphe Menjou) might have wished for more of the former! His problems all stem from his infatuation with the recently arrived cabaret dancer "Amy" (Marlene Dietrich) who is wowing the crowds in her elegant tuxedo, top hat and stilettos. Also amongst her audience is the roguish legionnaire "Brown" (Gary Cooper) who takes a shine to her and even pays 20F for one of her apples! What now ensues is a lightly comedic love-triangle enterprise peppered with two full length numbers from Dietrich and a little naughtiness from Cooper that sends him deep into the treacherous desert. To be fair, Cooper is not the most impactful here - his performance is just a little too undercooked, but she is on great form as she mischievously plays both men and I did feel a little sorry for Menjou's lovestruck character used to buying everything he wanted. The production is gently tempered with a little sexual fluidity. That's not especially new for European audiences, but I reckon those across the pond might not have been quite so used to a woman so demonstrably fully equipped to function and thrive in a man's world! The scene at the end really did make wonder if "Amy" had really thought things through, though...
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.