Performance & Direction: Mother Riley Meets the Vampire Review
Last updated: February 4, 2026
Quick Verdict: Hit or Flop?
Is Mother Riley Meets the Vampire (1952) worth watching? According to our cinematic analysis, the film stands as a FLOP with a verified audience rating of 4.2/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Mother Riley Meets the Vampire features a noteworthy lineup led by Bela Lugosi . Supported by the likes of Arthur Lucan and Dora Bryan , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Mother Riley Meets the Vampire
Quick Plot Summary: Mother Riley Meets the Vampire is a Comedy, Horror film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Mother Riley Meets the Vampire
Ending Breakdown: Mother Riley Meets the Vampire attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Mother Riley Meets the Vampire reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Mother Riley Meets the Vampire?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Mother Riley Meets the Vampire
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Where to Watch Mother Riley Meets the Vampire Online?
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CultpixMother Riley Meets the Vampire Parents Guide & Age Rating
1952 AdvisoryWondering about Mother Riley Meets the Vampire age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Mother Riley Meets the Vampire is 74 minutes (1h 14m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 4.2/10, and global performance metrics, Mother Riley Meets the Vampire is classified as a FLOP. It remains an essential part of the 1952 cinematic calendar.
Frequently Asked Questions
Is Mother Riley Meets the Vampire worth watching?
Mother Riley Meets the Vampire is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 4.2/10 and stands as a FLOP in our box office analysis.
Where can I find Mother Riley Meets the Vampire parents guide and age rating?
The official parents guide for Mother Riley Meets the Vampire identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Mother Riley Meets the Vampire?
The total duration of Mother Riley Meets the Vampire is 74 minutes, which is approximately 1h 14m long.
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Critic Reviews for Mother Riley Meets the Vampire
Arthur Lucan's disgustering "Mother Riley" is way behind on her rent, but when her Irish uncle dies she thinks things might be looking up. Some of his possessions are duly sent but they are misdirected to Bela Lugusi ("Prof. Von Housen") whilst she, in turn, received his life-size robot. He uses the remote control to summon his creature (and her), with it soon transpiring that he has very sinister motives that she must find some way to combat. Made in 1952, it has the production standards of something thirty years older. The editing and lighting are way more diabolical than the baddie could ever hope to be; Lucan's character delivers with relentless pace that is, on occasion quite amusing, but for the most part is just annoying and the infrequently seen Lugosi might have been better advised just never to have arisen from the coffin in which he sleeps. Much of the action (and the frenetically cobbled together score) is the stuff of a fairground, frequently bordering on "he's behind you" pantomime style. Dora Bryan and Geoffrey Keen must have fancied a chance to work with the legend, so appear as this increasingly slapstick thing heads towards it's suitably ridiculous denouement. Sad to think anyone was reduced to this, really - not just Lugosi.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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