Is Move Over, Darling Worth Watching?
Answer: Yes, Move Over, Darling is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 103 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Move Over, Darling is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.7/10, it has delivered a mixed experience for fans of the Comedy, Romance genre.
Answer: Yes, Move Over, Darling is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 103 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1963, Move Over, Darling emerges as a significant entry in the Comedy, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Three years into their loving marriage, with two infant daughters at home in Los Angeles, Nicholas Arden and Ellen Wagstaff Arden are on a plane that goes down in the South Pacific. Unlike standard genre fare, Move Over, Darling attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Move Over, Darling features a noteworthy lineup led by Doris Day . Supported by the likes of James Garner and Polly Bergen , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Move Over, Darling (1963) is mixed. With an audience rating of 6.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Move Over, Darling is a Comedy, Romance film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Move Over, Darling concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Move Over, Darling reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $12.7M |
| Trade Verdict | CLEAN HIT |










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YouTubeAnalyzing the audience sentiment, IMDb rating of 6.7/10, and global collection metrics, Move Over, Darling stands as a successful venture for the creators. It remains an essential piece of the 1963 cinematic year.
Move Over, Darling has received mixed reviews with a 6.7/10 rating, making it a moderate success with the audience.
Move Over, Darling is a mixed bag. It might be worth watching if you're a fan of Comedy, Romance movies, but read reviews first.
Move Over, Darling may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
"Ellen" (Doris Day) has been missing for years and even pronounced legally dead when she is returned to civilisation by the US Navy and turns up at her mother-in-law's house. "Grace" (Thelma Ritter) gets quite a surprise, bit luckily she has a thick rug o which to cushion her fall a few times before telling her that her son "Nick" (James Garner) was not going to live his life in solitude for ever and had just married "Bianca" (Polly Bergen). What's more, he has taken her for their honeymoon to the same hotel they went to first time round. "Ellen" is determined to get her man back and so sets off to track them down. Needless to say he gets quite a shock when she shows up, and being legally married to wife number two creates quite a quandary for everyone, especially hotel manager "Codd" (Fred Clark) who probably has the best part here and isn't used to his elite establishment having wife-juggling competitions in it's suites. Calamities galore now ensue as he has to walk quite a tightrope. Does he love "Ellen"? Does she love him? Does he love "Bianca"? She him? Is "Ellen" even alive? Is he allowed to love her? Is he a bigamist? It's quite a fun romp at the start, but once we've laid the foundations it gets a bit repetitive and the humour made me cringe more than laugh after a while. There's some chemistry between Garner and Bergen but somehow Day and he didn't click the way she did with Rock Hudson in, say, "Pillow Talk" (1959). It's still all watchable enough and the denouement with Edgar Buchanan's flabbergasted "Judge Bryson" is quite entertaining.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.


