Multiplicity
Multiplicity Review: Story, Cast, Rating & Final Verdict
Last updated: April 10, 2026
Movie Overview: Multiplicity
| Movie | Multiplicity |
| Release Year | 1996 |
| Director | Harold Ramis |
| Genre | Comedy / Fantasy / Science Fiction / Romance |
| Runtime | 117 minutes |
| Language | EN |
Quick Verdict: Hit or Flop?
Is Multiplicity (1996) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast & Character Study
The performances in Multiplicity are led by Michael Keaton . The supporting cast, including Andie MacDowell and Harris Yulin , provides the necessary layers to the central narrative.
movieMx Verdict: Is it Worth Your Time?
What Works in the Movie
While Multiplicity does not fully realize its potential, it still contains moments that may appeal to viewers who enjoy Comedy films.
- Interesting concept or premise
- Some entertaining scenes
- Supporting cast delivers occasional highlights
What Doesn't Work
Despite its strengths, Multiplicity has a few issues that may affect the overall viewing experience, particularly in terms of pacing and narrative consistency.
- Uneven pacing in certain parts of the film
- Some predictable plot developments
- May not appeal to audiences outside the Comedy fanbase
Story & Plot Summary: Multiplicity
Quick Plot Summary: Released in 1996, Multiplicity is a Comedy, Fantasy, Science Fiction, Romance film directed by Harold Ramis. The narrative brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict involving Michael Keaton.
Story Breakdown
The comedic structure relies on both situational humor and character-based comedy. Construction worker Doug Kinney finds that the pressures of his working life, combined with his duties to his wife Laura and daughter Jennifer leaves him with little time for himself. However, he is approached by geneticist Dr. Owen Leeds, who offers Doug a rather unusual solution to his problems: cloning. The production finds humor in relatable situations while maintaining narrative momentum. The jokes serve the story, with callbacks that reward attentive viewers.
Narrative Structure
- Opening Hook: The opening establishes the comedic tone and introduces the central conflict through humor and character quirks.
- Character Arc: Character development is present but somewhat formulaic, following familiar patterns without adding fresh perspectives to the genre.
- Climax & Resolution: The comedic climax ties together recurring jokes and character arcs, delivering both laughs and emotional satisfaction.
Ending Explained: Multiplicity
Multiplicity Ending Explained: Directed by Harold Ramis, Multiplicity attempts to bring together the film’s narrative threads. The ending highlights the core comedy themes developed throughout the film.
The conclusion reflects the central themes explored throughout the narrative, particularly in scenes involving Michael Keaton. The interpretation of the ending may vary among viewers.
Key Elements of the Ending
- Narrative Resolution: The story resolves its primary conflict while leaving room for interpretation.
- Character Development: Character motivations become clearer by the final scenes.
- Thematic Message: The ending reinforces the comedy themes introduced earlier in the film.
The final moments of Multiplicity reflect the creative choices of the filmmakers and align with the tone of the narrative.
Who Should Watch Multiplicity?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Box Office Collection: Multiplicity
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $45.0M |
| Worldwide Gross | $21.1M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
Multiplicity Budget
The estimated production budget for Multiplicity is $45.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Multiplicity
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Where to Watch Multiplicity Online?
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Apple TV StoreMultiplicity Parents Guide & Age Rating
1996 AdvisoryWondering about Multiplicity age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Multiplicity is 117 minutes (1h 57m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.8/10, and global performance metrics, Multiplicity is classified as a ABOVE AVERAGE. It remains an essential part of the 1996 cinematic calendar.
Frequently Asked Questions
Is Multiplicity worth watching?
Multiplicity is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 5.8/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Multiplicity parents guide and age rating?
The official parents guide for Multiplicity identifies it as PG-13. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Multiplicity?
The total duration of Multiplicity is 117 minutes, which is approximately 1h 57m long.
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Critic Reviews for Multiplicity
Keaton on top form in a very charming and enjoyable sci-fi comedy picture. Doug Kinney never has enough time to do what he wants to do, his life is frantic and his family life is strained, then one day he gets the chance to have himself duplicated. It would seem that a lot of complaints about this film are about it being a waste of a good premise, well for sure Multiplicity is far from being a comic masterpiece, but to say it doesn't deliver laughs set amongst its charming romantic heart, is a touch unfair I feel. What we get here is four Doug Kinney's, each one having their own driving personality to make it real easy for the audience to distinguish which is which. So, with Michael Keaton delivering four excellent performances as the Dougs, the comic relief flows pretty much all through the picture. However, director Harold Ramis is guilty of staying safe with the material to hand because from the off the conclusion is never in doubt, the feel good factor is evident even as the Dougs are chaotically imploding. But is that really a reason to do the film down? Well no as far as I'm concerned, Multiplicity is a tidy fusion of sci-fi comedy and romance that isn't taking the science literally. For Doug number 4 alone, with his skiing skills and pizza fetish, this film deserves 7/10, whilst Keaton deserves a far higher score indeed.
## **Multiplicity (1996) Review: An Overlooked Gem of 90s Comedy - 8/10** In the landscape of 90s comedies, *Multiplicity* often gets lost in the shuffle, dismissed by some as a high-concept gag that can't sustain a feature film. However, to write it off is to miss one of Michael Keaton's most deceptively brilliant performances and a surprisingly thoughtful, albeit silly, exploration of work-life balance and self-identity. ### The Premise: A Solution That Becomes the Problem Doug Kinney (Keaton) is an overworked construction manager whose life is stretched thin between his demanding job and his responsibilities as a husband and father. His salvation appears in the form of a scientist offering a radical solution: cloning. Doug eagerly creates a duplicate of himself to share the load, but soon finds that two Dougs aren't enough, leading to three, then four... and the chaos that inevitably follows. ### The Triumph: Michael Keaton vs. Michael Keaton The common criticism is that the film's clone-based humour is repetitive, but this misses the point entirely. The movie's success lives and dies on Michael Keaton's ability to create four distinct, believable, and hilarious characters... and he absolutely nails it. * **Doug 1:** The original, overwhelmed and increasingly sidelined in his own life. * **Doug 2:** The alpha, task-oriented clone who takes over work with ruthless, corporate efficiency. * **Doug 3:** A sweet-natured, domestic clone who embraces housework and cooking but isn't the sharpest tool in the shed. * **Doug 4:** A hilariously malfunctioning copy-of-a-copy, who speaks in grunts and possesses the intellect of a friendly golden retriever. Keaton doesn't just change his voice or posture for each; he gives them completely different souls. The scenes where they all interact are a masterclass in comedic timing and physical acting, with seamless (for the time) special effects that still hold up remarkably well. ### More Than Just a Gag Beneath the slapstick and the clone-related mishaps, *Multiplicity* has a genuine heart. It's a film about a man trying to have it all, only to realise that outsourcing his life means losing touch with what makes it meaningful. The central message—"You spread yourself too thin, you're not really living"—lands with a poignant truth that resonates even more strongly in our modern, over-scheduled world. ### The Verdict **8/10 - A Deeply Funny and Surprisingly Smart Comedy** *Multiplicity* is not a perfect film—the pacing lags in the middle—but its strengths far outweigh its weaknesses. It's a clever, well-executed, and wonderfully acted comedy that uses its sci-fi premise to explore universally relatable themes. Michael Keaton's performance(s) are worth the price of admission alone, proving his incredible range and comedic genius. This is a film that deserves a critical reassessment. It's not just a good movie "for what it is"; it's a great movie that accomplished exactly what it set out to do: make us laugh while giving us a little something to think about. A true underrated delight.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.











