Is My Week with Marilyn Worth Watching?
Answer: Yes, My Week with Marilyn is definitely worth watching if you enjoy Drama movies.
It features a runtime of 99 minutes and offers a standard storyline that appeals to general audiences.

Verdict:My Week with Marilyn is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.7/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Yes, My Week with Marilyn is definitely worth watching if you enjoy Drama movies.
It features a runtime of 99 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2011, My Week with Marilyn emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of London, 1956. Unlike standard genre fare, My Week with Marilyn attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and My Week with Marilyn features a noteworthy lineup led by Michelle Williams . Supported by the likes of Kenneth Branagh and Eddie Redmayne , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of My Week with Marilyn (2011) is mixed. With an audience rating of 6.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: My Week with Marilyn is a Drama, Romance film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: My Week with Marilyn concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of My Week with Marilyn reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $6.4M |
| Worldwide Gross | $35.1M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for My Week with Marilyn is $6.4M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.7/10, and global collection metrics, My Week with Marilyn stands as a successful venture for the creators. It remains an essential piece of the 2011 cinematic year.
My Week with Marilyn has received mixed reviews with a 6.7/10 rating, making it a moderate success with the audience.
My Week with Marilyn is a mixed bag. It might be worth watching if you're a fan of Drama, Romance movies, but read reviews first.
My Week with Marilyn may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I reckon this might be my favourite effort from Michelle Williams as she plays the eponymous screen legend who arrives in the UK to play opposite Sir Laurence Olivier (Kenneth Branagh) in "The Prince and the Showgirl". Meantime, budding writer Colin Clark (Eddie Redmayne) is desparate to get into the film industry and so has been doorstepping producer Hugh Perceval (Michael Kitchen) for ages. Eventually, he gets a foot in the door the a chance introduction to Sir Larry leads to another one with Monroe and soon young Clark finds himself tasked with keeping this increasingly flaky woman on message as it's fair to say that her methods are not quite as rigorous or disciplined as those of her co-star. If you've seen the 1957 film, you'll know that it possibly isn't anyone's finest hour - except, perhaps, for Dame Sybil Thorndyke who here portrayed by Dame Judi Dench offers the American visitor some semblance of understanding and tolerance as tempers fray and the relationship between Colin and Marilyn starts to intensify. The narrative is based on Clark's two books on the subject, so it does offer us quite an authentic and sensitive insight into just how that one week padded out; how these contrasting personalities and their working practices struggled to reconcile and Williams looks entirely comfortable as the troubled actress as does the uncannily made-up Branagh as an Olivier all too used to getting his own way. Redmayne makes surprisingly little impact - perhaps because his character must remain objective as a narrator and not unsurprisingly Clark wasn't keen on embellishing his own role - intimate or not - with Monroe. Both she and Olivier are fascination creatures in cinema history and this biopic presents us with a glimpse of just how creative clashes can result in a positive spark.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.