Is Nine Worth Watching?
Answer: Maybe not, Nine is likely a skip if you enjoy Drama movies.
It features a runtime of 118 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Nine is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.5/10, it has delivered a mixed experience for fans of the Drama, Music, Romance genre.
Answer: Maybe not, Nine is likely a skip if you enjoy Drama movies.
It features a runtime of 118 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2009, Nine emerges as a significant entry in the Drama, Music, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. Unlike standard genre fare, Nine attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Nine features a noteworthy lineup led by Daniel Day-Lewis . Supported by the likes of Marion Cotillard and Penélope Cruz , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Nine (2009) is mixed. With an audience rating of 5.5/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Nine is a Drama, Music, Romance film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: Nine attempts to tie together its various plot elements. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Nine reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $80.0M |
| Worldwide Gross | $53.8M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Nine is $80.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










FilmBox+Analyzing the audience sentiment, IMDb rating of 5.5/10, and global collection metrics, Nine stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.
Nine has received mixed reviews with a 5.5/10 rating, making it a moderate success with the audience.
Nine is a mixed bag. It might be worth watching if you're a fan of Drama, Music, Romance movies, but read reviews first.
Nine is currently available for streaming on FilmBox+. You can also check for it on platforms like FilmBox+ depending on your region.
***A famous director loses his inspiration and seeks aid from the various women in his life*** Released in 2009, “Nine” is a drama/musical about a famous Italian director in 1965 (Daniel Day-Lewis) who loses his inspiration, but its urgent he gets it back because his ninth movie is set to start shooting in ten days and he doesn’t even have a script. He turns to the several women in his life for succor: his wife (Marion Cotillard), his mistress (Penélope Cruz), his costume designer (Judi Dench), his star actress (Nicole Kidman), his mother (Sophia Loren), a fashion journalist (Kate Hudson) and a prostitute from his boyhood (Fergie). This is an adaptation of the 1982 Broadway musical, also dubbed “Nine,” which itself was based on Federico Fellini's semi-autobiographical 1963 film “8½.” It’s very similar to director Rob Marshall’s “Chicago” (2002), but with a different story, cast and location (Rome and points nearby). During the first half I wasn’t so sure about the story, but I eventually found myself absorbed into the life of the tormented director and his mid-life crisis. His unfaithfulness to his beautiful wife, Luisa (Cotillard), is off-putting of course, but maybe we should have mercy for a man who has scores of gorgeous women offering themselves to him practically every day. It helps that he WANTS to be free from his adulteries and be true to Luisa. Yet I have a hard time picturing Guido (Day-Lewis) seeking the amorous attentions of Carla (Cruz) above Luisa. Carla is decent, as far as all-around physical beauty goes, but Luisa has better curves. Both of the characters’ have imaginative dance sequences, but Luisa comes out on top even though her routine is less tantalizing. Day-Lewis is fascinating as the guilt-stricken director who hasn’t let his fame go to his head. When he asks a cleric for advice about God and his troubles, the vicar responds: “Imagination is God’s garden, don’t let the devil play in it.” I generally don’t favor musicals where the characters suddenly jump into song & dance while walking at the park or eating dinner. My wife & I sometimes poke fun of these kinds of musicals by mimicking them while doing mundane activities. For me, musicals only work, generally speaking, when the singing/dancing sequences are legitimate, like a performance at a nightclub or one's imagination, both of which were used in "Chicago." Of course it’s more challenging and takes more creativity to incorporate song & dance routines in this manner and keep the movie seamless & realistic. “Nine” does this. The film runs 1 hour, 58 minutes and was shot in Italy and England. GRADE: B
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.