Is Nine to Five Worth Watching?
Answer: Yes, Nine to Five is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Nine to Five is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.9/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Yes, Nine to Five is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1980, Nine to Five emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him. Unlike standard genre fare, Nine to Five attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Nine to Five features a noteworthy lineup led by Jane Fonda . Supported by the likes of Lily Tomlin and Dolly Parton , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Nine to Five (1980) is mixed. With an audience rating of 6.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Nine to Five is a Comedy film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
The comedic structure relies on both situational humor and character-based comedy. Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him. The film finds humor in relatable situations while maintaining narrative momentum. The jokes serve the story, with callbacks and running gags that reward attentive viewers.
Ending Breakdown: Nine to Five concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Nine to Five reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $10.0M |
| Worldwide Gross | $103.3M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Nine to Five is $10.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 6.9/10, and global collection metrics, Nine to Five stands as a successful venture for the creators. It remains an essential piece of the 1980 cinematic year.
Nine to Five has received mixed reviews with a 6.9/10 rating, making it a moderate success with the audience.
Nine to Five is a mixed bag. It might be worth watching if you're a fan of Comedy movies, but read reviews first.
Nine to Five is currently available for streaming on TCM. You can also check for it on platforms like TCM depending on your region.
I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at various stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.

