No Name on the Bullet
Performance & Direction: No Name on the Bullet Review
Last updated: January 30, 2026
Quick Verdict: Hit or Flop?
Is No Name on the Bullet (1959) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Action.
Cast Performances: A Masterclass
The success of any Action is often anchored by its ensemble, and No Name on the Bullet features a noteworthy lineup led by Audie Murphy . Supported by the likes of Charles Drake and Joan Evans , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: No Name on the Bullet
Quick Plot Summary: No Name on the Bullet is a Action, Thriller, Western film that delivers highly intense sequences and pulse-pounding confrontations that keep viewers on the edge of their seats. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: No Name on the Bullet
Ending Breakdown: No Name on the Bullet concludes its story with a mix of closure and open interpretation. The finale presents its approach to action resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the action themes established throughout the runtime.
The final moments of No Name on the Bullet reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch No Name on the Bullet?
Worth Watching If You:
- Enjoy Action films and don't mind familiar tropes
- Are a fan of the cast or director
- Want an adrenaline rush without demanding perfection
Top Cast: No Name on the Bullet
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Where to Watch No Name on the Bullet Online?
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Fandango At HomeNo Name on the Bullet Parents Guide & Age Rating
1959 AdvisoryWondering about No Name on the Bullet age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of No Name on the Bullet is 77 minutes (1h 17m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.6/10, and global performance metrics, No Name on the Bullet is classified as a HIT. It remains an essential part of the 1959 cinematic calendar.
Frequently Asked Questions
Is No Name on the Bullet worth watching?
No Name on the Bullet is definitely worth watching if you enjoy Action movies. It has a verified rating of 6.6/10 and stands as a HIT in our box office analysis.
Where can I find No Name on the Bullet parents guide and age rating?
The official parents guide for No Name on the Bullet identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of No Name on the Bullet?
The total duration of No Name on the Bullet is 77 minutes, which is approximately 1h 17m long.
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Critic Reviews for No Name on the Bullet
He could be as innocent as a baby, but the things that are happening here are still his fault. John Gant is a hired assassin, whenever he rides into a town the whole townsfolk wonder who it is who is on his list. John Gant is a very shrewed assassin for he never gets arrested because he never draws first, he psychologically gets under his targets skins forcing them to shoot first, and John Gant always has witnesses. Today, John Gant has rode into Lordsburg, and from today things will never be the same again... In CinemaScope and Eastman Color Directed by Jack Arnold, we open with a vision of sprawling hills and a vast landscape (DOP: Harold Lipstein), a man handsomely attired in pristine black clothing trots past on his shiny black horse, he gathers pace and gallops off over the hills, we next see him trotting into Lordsburg, elegance and grace oozing from his pores. This is John Gant, also known as Audie Murphy, and for me we are introduced to one of the greatest Western characters outside of the critics favoured lists of usual suspects. Audie Murphy had his critics, he himself hardly went out of his way to embrace stardom and pander to the ink scribblers, but here as Gant is a performance of icy cold wonderment that in my opinion proves any doubters wrong. Gant rides into Lordsburg and his mere presence sends the town into panic, friends and associates implode with suspicion whilst Gant just calmly floats amongst them with little leers and low speaking pearls of wisdom. As Gant forms a weird sort of friendship with Charles Drake's Dr. Luke Canfield, the picture gains some much needed heart, and once the finale arrives it helps to close the picture on a hugely rewarding note. The film reminded me very much of a Twilight Zone episode called The Monsters Are Due On Maple Street, it's a great story to work from {courtesy of Howard Amacker}, because it's morally suspicious and it has characters always on the brink of breaking the law through the sheer worry of their sins and dubious intentions coming back to get them. My only real complaints are that the film is far to short, not sure if it was down to budget or acting restrictions? But clocking in at just 77 minutes I personally feel that another 15 minutes was a must to fully flesh out the finale, and sadly the exterior filming of the gorgeous locale is sparse, which is most galling after the attention grabbing opening shots. However, the film still works a treat and comes highly recommended to even those who don't like Westerns. 8/10
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










