Is One Dangerous Night Worth Watching?
Answer: Maybe not, One Dangerous Night is likely a skip if you enjoy Crime movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:One Dangerous Night is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.4/10, it has delivered a mixed experience for fans of the Crime, Mystery genre.
Answer: Maybe not, One Dangerous Night is likely a skip if you enjoy Crime movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1943, One Dangerous Night emerges as a significant entry in the Crime, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of Reformed jewel thief the Lone Wolf investigates the murder of a playboy who was blackmailing three socialites. Unlike standard genre fare, One Dangerous Night attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and One Dangerous Night features a noteworthy lineup led by Warren William . Supported by the likes of Marguerite Chapman and Eric Blore , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of One Dangerous Night (1943) is negative. With an audience rating of 4.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: One Dangerous Night is a Crime, Mystery film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: One Dangerous Night attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of One Dangerous Night reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
One Dangerous Night incorporates elements from real criminal cases. As a crime, mystery film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: One Dangerous Night adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
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Analyzing the audience sentiment, IMDb rating of 4.4/10, and global collection metrics, One Dangerous Night stands as a challenging project for the creators. It remains an essential piece of the 1943 cinematic year.
One Dangerous Night is considered a flop based on audience ratings of 4.4/10 and lower collections.
Based on the low rating of 4.4/10, One Dangerous Night may not be worth watching unless you are a die-hard fan.
One Dangerous Night may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I imagine this is the kind of movie you might have gone to see in a drive-in. Made amidst WWII, it tells a rather quirky tale of "Eve" (Marguerite Chapman) whose car is totalled and she is luckily rescued by the "Lone Wolf" himself (Warren William) and his loyal sidekick "Jamison" (Eric Blore). They escort her to her home only to find that when they get there, there is a body. It's a renowned playboy and it's very, very quiet! Police inspector "Crane" (Thurston Hall) is unimpressed by the array of alibis on offer and so arrests them all - but our shrewd sleuths escape, and begin to piece things together uncovering a story of blackmail and jewel thievery with the enigmatic "Patricia" (Margaret Hayes) playing an increasingly significant and puzzling role in their investigations. Can they solve this before the police apprehend them again, and again - or, ideally, before anyone else gets bumped off? Nope, there's not the slightest hint of jeopardy here and the production is really very basic. That said, there's a bit of an entertaining dynamic between Warren and Blore and the whole thing has enough of it's tongue in it's cheek to keep it entertaining if not exactly taxing on the little grey cells. It's twenty minutes too long, and at times it regurgitates itself a bit much - but as wartime whodunits go, it's by no means the worst.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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