Is Oslo, August 31st Worth Watching?
Answer: Yes, Oslo, August 31st is definitely worth watching if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Oslo, August 31st is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.5/10, it has delivered a compelling experience for fans of the Drama genre.
Answer: Yes, Oslo, August 31st is definitely worth watching if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2011, Oslo, August 31st emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of A recovering drug addict is granted a day’s leave from rehab and returns to Oslo, where he reconnects with friends, faces the weight of his past, and struggles with uncertainty about his future. Unlike standard genre fare, Oslo, August 31st attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Drama is often anchored by its ensemble, and Oslo, August 31st features a noteworthy lineup led by Anders Danielsen Lie . Supported by the likes of Malin Crépin and Hans Olav Brenner , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Oslo, August 31st (2011) is overwhelmingly positive. With an audience rating of 7.5/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Oslo, August 31st is a Drama film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Oslo, August 31st resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to drama resolution.
The emotional climax centers on character transformation, creating a memorable conclusion that audiences have responded to positively.
The final moments of Oslo, August 31st demonstrate careful narrative planning, offering an ending that aligns with the film's tone and style.
Highly Recommended For:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $1.5M |
| Trade Verdict | CLEAN HIT |









Criterion Channel
MUBI
Strand Releasing Amazon Channel
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 7.5/10, and global collection metrics, Oslo, August 31st stands as a successful venture for the creators. It remains an essential piece of the 2011 cinematic year.
Oslo, August 31st is considered a hit based on audience response and box office performance. With a rating of 7.5/10, it's highly recommended for fans of Drama movies.
Yes, Oslo, August 31st is definitely worth watching! It's a must-watch hit for fans of Drama cinema.
Oslo, August 31st is currently available for streaming on Criterion Channel. You can also check for it on platforms like Criterion Channel, MUBI, Strand Releasing Amazon Channel depending on your region.
Anders Danielsen Lie offers a really quite intense performance here as the recovering drug addict "Anders". His physicians think he's sufficiently improved to be able to spend a day, unsupervised, in Oslo, with family and friends and to have an interview for a job. Initially it all goes well. He drops in on "Thomas" (Hans Olav Brenner) and his family and is geared up (not literally) for his interview. That's where the wheels come off and we spend the rest of his day as he reminisces about the past, encounters some of those important to that past and gradually appears to be coming to terms with what he considers best for his future. Joachim Trier uses the gentle pacing of this drama to allow Lie to slowly demonstrate his character's sense of introspection and considered self-destruction. This isn't an ill-educated man who grew up in squalor or depravity, this is an erudite and engaging "Anders" who comes from a decent, loving, home that's not without it's ups and downs, but ought to have provided him with more of an emotional robustness that we are presented with here. There is a solid cast of supporting actors - Malin Crépin ("Malin") strong amongst them, as his brain appears to be putting his house in order. It's not an easy film to sit through. It's traumatic in a delicate and measured sort of way, and Lie delivers us a persona with whom it's easy enough to empathise and want to give a good shake to, too.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.