Performance & Direction: Pencil Review
Last updated: January 20, 2026
Quick Verdict: Hit or Flop?
Is Pencil (2016) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.5/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Crime.
Cast Performances: A Masterclass
The success of any Crime is often anchored by its ensemble, and Pencil features a noteworthy lineup led by G. V. Prakash Kumar . Supported by the likes of Sri Divya and Shariq Hassan , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Pencil (2016) is mixed. With an audience rating of 5.5/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Pencil
Quick Plot Summary: Pencil is a Crime, Romance, Thriller film that dives into the criminal underworld with a grounded sense of realism and complex morality. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Pencil
Ending Breakdown: Pencil attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the crime themes established throughout the runtime.
The final moments of Pencil reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Pencil Real vs. Reel: Is it Based on a True Story?
Pencil incorporates elements from real criminal cases. As a crime, romance, thriller film, it navigates the space between factual accuracy and narrative engagement.
Historical Context
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Pencil adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Who Should Watch Pencil?
Consider Watching If:
- You're a completist for Crime films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Pencil
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Where to Watch Pencil Online?
Streaming HubPencil Parents Guide & Age Rating
2016 AdvisoryWondering about Pencil age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Pencil is 134 minutes (2h 14m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 5.5/10, and global collection metrics, Pencil stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
Frequently Asked Questions
Is Pencil worth watching?
Pencil is definitely worth watching if you enjoy Crime movies. It has a verified rating of 5.5/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Pencil parents guide and age rating?
The official parents guide for Pencil identifies it as U. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Pencil?
The total duration of Pencil is 134 minutes, which is approximately 2h 14m long.
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Critic Reviews for Pencil
Pencil could have been a thrilling whodunit but it also wants to be a message movie that rails against private educational institutions, and in trying to be both, it fails to be a satisfying film. And to make matters worse, its premise isn't wholly original as well, for it is inspired from the Korean thriller 4th Period Mystery. The film begins promisingly with Nithin (Shariq Hassan), the school's student and the son of a film star, being murdered by an unknown assailant. Then, it goes back by a few months and shows us the various characters who have a motive to kill the boy — Shiva (GV Prakash), the school topper who is Nithin's bete noire; Maya (Sri Divya), Shiva's crush and a bold girl who rubs him the wrong way; teachers Nandini (Suja Varunee) and Sridhar (Thirumurugan) whose compromising video is in the boy's hands; Anthony Gonsalves (VTV Ganesh), another teacher whom he disrespects; the girl who Nithin is blackmailing; the local boy whom he beats up for hitting on a classmate; and so on. Maya finds Shiva in an incriminating set-up, but decides that he is innocent and together, they decide to track down the murderer before he can leave the school's premises. Barring the cliched and unnecessary romantic portions, Mani Nagaraj does a decent job of setting up the mystery in the first half. But the second half is a great let-down. While we expect a tense thriller, what we end up with are amateurish investigative scenes and mood-killing comedy that takes away every ounce of tension in the script. Just because the setting is a school, should the scenes be this juvenile? It is also marred by the choice of the actors who play the school's faculty. TP Gajendran plays the school's principal and his phone's ringtone is Kundrathile Kumaranukku kondattam! Should we say more? The dialogues hitting out at private schools also feel manipulative, especially the climactic monologue, though Abhishek saves it from being a mere rant with his sincere performance. Also, with the hero's character often designated to a secondary role (even during the investigations, it is Sri Divya's Nancy Drew-ish Maya who takes the lead), it is Shariq Hassan (making his debut) who walks away with the film with an arresting performance. The film feels alive whenever he is in the scene, which is why it is a pity that his character dies midway and has to merely be a dead body. Along with him, the film also becomes lifeless.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









