Is Please Turn Over Worth Watching?
Answer: Yes, Please Turn Over is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Please Turn Over is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.1/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Yes, Please Turn Over is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1959, Please Turn Over emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of The orderly suburban life of a 1950's English town is turned on its head when the teenaged daughter of one of the residents writes a steamy bestseller featuring characters obviously based on the local population. Unlike standard genre fare, Please Turn Over attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Please Turn Over features a noteworthy lineup led by Ted Ray . Supported by the likes of Jean Kent and Leslie Phillips , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Please Turn Over (1959) is mixed. With an audience rating of 6.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Please Turn Over is a Comedy film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Please Turn Over concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Please Turn Over reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Please Turn Over uses real-world events as narrative inspiration. As a comedy film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Please Turn Over adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
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NetflixAnalyzing the audience sentiment, IMDb rating of 6.1/10, and global collection metrics, Please Turn Over stands as a challenging project for the creators. It remains an essential piece of the 1959 cinematic year.
Please Turn Over has received mixed reviews with a 6.1/10 rating, making it a moderate success with the audience.
Please Turn Over is a mixed bag. It might be worth watching if you're a fan of Comedy movies, but read reviews first.
Please Turn Over is currently available for streaming on Netflix. You can also check for it on platforms like Netflix depending on your region.
Naked Revolt! Please Turn Over is one of those films outside of the Carry On franchise, but one that still "bares" the early hallmarks of that series. Brought to the screen by Peter Rogers and Norman Hudis, it's adapted from the Basil Thomas play, "Book of the Month" and stars Ted Ray, Jean Kent, Julia Lockwood, Leslie Phillips and Lionel Jeffries. Plot finds Lockwood as a teenaged writer who upturns the lives of the local residents when she has a steamy novel published. The kicker being that the characters in her book appear to be based on them! Suddenly everyone is viewing everyone else in a different light. A sort of comedic take on Peyton Place, it's a film that meets the expectations of those who are familiar with the cast and production team. Without being smutty or bawdy, it's more a gentle farce with some seamy undercurrents. The fun is mostly mined by the alternative world created by Lockwood when the townsfolk turn into adulterers and egotists. Rogers fills out the cast with performers he would come to rely on, where the likes of Joan Sims and Dilys Laye steal scenes, while Ray and Phillips turn in jolly good shows. Nice crisp B&W photography by Ted Scaife as well. Not essential but a pleasant enough experience with a glass of Port on a Sunday afternoon. 6/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.