Is Pygmalion Worth Watching?
Answer: Yes, Pygmalion is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 96 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Pygmalion is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.0/10, it has delivered a compelling experience for fans of the Comedy, Drama, Romance genre.
Answer: Yes, Pygmalion is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 96 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1938, Pygmalion emerges as a significant entry in the Comedy, Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Unlike standard genre fare, Pygmalion attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Pygmalion features a noteworthy lineup led by Leslie Howard . Supported by the likes of Wendy Hiller and Wilfrid Lawson , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Pygmalion (1938) is overwhelmingly positive. With an audience rating of 7.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Pygmalion is a Comedy, Drama, Romance film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Pygmalion resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to comedy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Pygmalion reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $350.0K |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Pygmalion is $350.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Analyzing the audience sentiment, IMDb rating of 7/10, and global collection metrics, Pygmalion stands as a successful venture for the creators. It remains an essential piece of the 1938 cinematic year.
Pygmalion is considered a hit based on audience response and box office performance. With a rating of 7/10, it's highly recommended for fans of Comedy, Drama, Romance movies.
Yes, Pygmalion is definitely worth watching! It's a must-watch hit for fans of Comedy, Drama, Romance cinema.
Pygmalion may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Even though it was made some 25 years, or so, before "My Fair Lady" it still takes a few minutes before you get used to the fact that it has no singing... Once that has been established, we can enjoy a witty and pithy observation of class and superficiality that raises both smiles and heckles in equal measure. Leslie Howard is great as the somewhat snobbish phonetics expert ("Prof. Higgins") who bets his pal "Col. Pickering" (Scott Sunderland) that he can take the gutturally linguistic flower girl "Eliza" (Wendy Hiller) and pass her off as a duchess to the highest of society. Hiller is super, too. She takes the role of the reluctant, naive but strong willed and savvy street seller by the scruff of the neck and before long we see that the Professor has more than met his match! His housekeeper "Mrs. Pearce" (Jean Cadell) has a go at umpiring now and again and there is a scene stealing performance from Esme Percy as the even more pompous "Count Karpathy" who is the one person "Higgins" fears may be able to rumble his deception. Right from the raucous and hilarious bathing scene, it sets off at quite a pace swiping relentlessly at the British societal system - ribbing snobs and workers alike as Bernard Shaw's story is transferred to celluloid in a way that (hopefully) the author would have appreciated too. I can't say I liked the ending of the play and I don't really much care for the ending here, either - but boy, it's one hell of a journey demonstrating creative skill at just about every turn.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.