Is Quest for Camelot Worth Watching?
Answer: Yes, Quest for Camelot is definitely worth watching if you enjoy Fantasy movies.
It features a runtime of 86 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Quest for Camelot is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Fantasy, Animation, Drama, Romance, Family genre.
Answer: Yes, Quest for Camelot is definitely worth watching if you enjoy Fantasy movies.
It features a runtime of 86 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1998, Quest for Camelot emerges as a significant entry in the Fantasy, Animation, Drama, Romance, Family domain. The narrative core of the film focuses on a sophisticated exploration of During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. Unlike standard genre fare, Quest for Camelot attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Fantasy is often anchored by its ensemble, and Quest for Camelot features a noteworthy lineup led by Jessalyn Gilsig . Supported by the likes of Andrea Corr and Cary Elwes , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Quest for Camelot (1998) is mixed. With an audience rating of 6.8/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Quest for Camelot is a Fantasy, Animation, Drama, Romance, Family film that transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: Quest for Camelot concludes its story with a mix of closure and open interpretation. The finale presents its approach to fantasy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Quest for Camelot reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $40.0M |
| Worldwide Gross | $38.2M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Quest for Camelot is $40.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, Quest for Camelot stands as a successful venture for the creators. It remains an essential piece of the 1998 cinematic year.
Quest for Camelot has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
Quest for Camelot is a mixed bag. It might be worth watching if you're a fan of Fantasy, Animation, Drama movies, but read reviews first.
Quest for Camelot may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Empty watch, probably won't watch again, and can't recommend. This movie is a good example of Warner Bros' desperate desire to be like Disney instead of doing their own thing when it comes to animation. It even looks like they lifted a character directly out of "Alice in Wonderland", and maybe there was a legal loophole they had , but it was really unnecessary. Honestly, most of the premise is a lot of nonsense, and I don't mean to dash dreams and lose the fancy of imaginative creation, but it's not even just fun. They took one of the few popular free stories (King Arthur) that Disney hadn't monopolized ("Sword in the Stone" only covers Arthur as a child, and this is after Camelot was realized), and then added so much magical guff to it that it was hardly recognizable as a version of the original story. This is not a "King Arthur and his Knights" story, it's a Kayley, and you don't know who that is because they made her up. Even Cary Elwes (Princess Bride: The Man in Black), by far the best actor / character in the movie, seems to have impatient disdain for having to perform the role, and he's probably the 3rd most occurring character. A knight that Arthur never would have made a knight, that the audience doesn't know, traitors the crown (when Lancelot did it, it was impactful) and kills a knight, that the audience doesn't know or care about, so the main character is launch into adventure on a basis that the audience objectively doesn't care about, and that adventure is further preluded with a Griffon dropping Excaliber into a cursed wood (which would have normally been represented by Merlin and/or the Woad), and having some magic would be fine, but they basically rip off the "Fire Swamp" from "Princess Bride" and add in all these questionably real people with weapons for hands. Everything I just wrote sounds insane, and that's without the guide being blind or there being a 2-headed dragon that hates itselves. I'm tired, and you should skip this unless you just have to see the train wreck.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.