Race Street
Performance & Direction: Race Street Review
Last updated: January 30, 2026
Quick Verdict: Hit or Flop?
Is Race Street (1948) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Crime.
Cast Performances: A Masterclass
The success of any Crime is often anchored by its ensemble, and Race Street features a noteworthy lineup led by George Raft . Supported by the likes of William Bendix and Marilyn Maxwell , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Race Street
Quick Plot Summary: Race Street is a Crime, Drama film that dives into the criminal underworld with a grounded sense of realism and complex morality. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Race Street
Ending Breakdown: Race Street attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the crime themes established throughout the runtime.
The final moments of Race Street reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Race Street Real vs. Reel: Is it Based on a True Story?
Race Street incorporates elements from real criminal cases. As a crime, drama film, it navigates the space between factual accuracy and narrative engagement.
Historical Context
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Race Street adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Who Should Watch Race Street?
Consider Watching If:
- You're a completist for Crime films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Race Street
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Race Street Parents Guide & Age Rating
1948 AdvisoryWondering about Race Street age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Race Street is 79 minutes (1h 19m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.8/10, and global performance metrics, Race Street is classified as a ABOVE AVERAGE. It remains an essential part of the 1948 cinematic calendar.
Frequently Asked Questions
Is Race Street worth watching?
Race Street is definitely worth watching if you enjoy Crime movies. It has a verified rating of 5.8/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Race Street parents guide and age rating?
The official parents guide for Race Street identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Race Street?
The total duration of Race Street is 79 minutes, which is approximately 1h 19m long.
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How Race Street Compares & Where it Ranks
Critic Reviews for Race Street
"Stay with it" Race Street, directed by Edwin L. Marin and adapted to screenplay by Martin Rackin from a story by Maurice Davis. Starring George Raft, William Bendix, Marilyn Maxwell, Frank Faylen, Gale Robbins and Harry Morgan. Music is by Roy Webb and cinematography by J. Roy Hunt. Story centers around two friends played by Raft and Bendix, the former is a turf accountant and night club owner, the latter a plain clothes policeman. With a syndicate racket moving in on the Frisco bookmaking circuit, Dan Gannin (Raft) refuses to co-operate, putting himself in grave danger. Barney Runson (Bendix) wants to move in and do it the official way, begging Dan to step aside and let the police do their job. But when the syndicate make a deadly move that hits Dan close to home, he's not for turning. In the grand scheme of Raft and Bendix movies, or classic era film noir pics in fact, this one is small fry, but strong cast and solid production foundation ensure it's an enjoyable experience. Story isn't strong, where two old friends lock horns while some villain throws his weight around, but in true noir fashion there's some sneaky surprises in store and a none cop out finale. Technically it's interesting, one quite dreadful process backed sequence aside, Marin and Hunt hit the noir bars for mood compliance. The absence of chiaroscuro is a shame, for a number of scenes here cry out for it, but the lighting techniques and shadow indulgence keeps the eyes pleased. There's even a startling sequence that appears to show Gale Robbins floating in and around the night club crowd as she sings a song, while a bit of zoom play and nifty Frisco locations add further quality. Good honest noirville enjoyment. 6.5/10
This is a superior crime noir let down by a most nondescript title! Harry Morgan ("Hal") is found at the bottom of a flight of stairs - George Raft ("Gannin") and detective "Barney" (William Bendix) know his death is a bit fishy, and decide to investigate (separately!). Soon it transpires that the former is involved in dodgy bookmaking, as was the deceased, and that someone is trying to muscle in on their business. Raft is good as he tries to avenge his dead friend, never quite sure to trust, as are femme fatale Marilyn Maxwell as "Robbie" and Gale Robbins as his sister "Elaine" who sings a couple of quite decent numbers too. It's quite a tense short feature with plenty of darkly lit scenes and a tight dialogue to keep the suspense going until, I have to say, a rather silly ending. Well worth a watch, though.
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This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.











