Is Red Haired Alibi Worth Watching?
Answer: Maybe not, Red Haired Alibi is likely a skip if you enjoy Drama movies.
It features a runtime of 75 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Red Haired Alibi is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.4/10, it has delivered a mixed experience for fans of the Drama, Crime genre.
Answer: Maybe not, Red Haired Alibi is likely a skip if you enjoy Drama movies.
It features a runtime of 75 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1932, Red Haired Alibi emerges as a significant entry in the Drama, Crime domain. The narrative core of the film focuses on a sophisticated exploration of A young woman new to the big city gets a job as a man's companion. Unlike standard genre fare, Red Haired Alibi attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Red Haired Alibi features a noteworthy lineup led by Merna Kennedy . Supported by the likes of Theodore von Eltz and Grant Withers , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Red Haired Alibi (1932) is negative. With an audience rating of 4.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Red Haired Alibi is a Drama, Crime film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Red Haired Alibi attempts to tie together its various plot elements. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Red Haired Alibi reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Red Haired Alibi incorporates elements from real criminal cases. As a drama, crime film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Red Haired Alibi adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
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Analyzing the audience sentiment, IMDb rating of 4.4/10, and global collection metrics, Red Haired Alibi stands as a challenging project for the creators. It remains an essential piece of the 1932 cinematic year.
Red Haired Alibi is considered a flop based on audience ratings of 4.4/10 and lower collections.
Based on the low rating of 4.4/10, Red Haired Alibi may not be worth watching unless you are a die-hard fan.
Red Haired Alibi may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
"Lynn" (Merna Kennedy) is fed up with her mundane life and looking for a job in New York. Luckily, she alights on the dodgy "Travers" (Theodore von Eltz) who offers her an opportunity. All she has to do is be seen with him. She looks great, is well paid and housed and for a moment or two, there is even the threat of a romance on the horizon. Gradually, though, she begins to realise that he is an out-and-out wrong 'un and when another mobster is gunned down and he goes into hiding, she flees. Good fortune is again on her side when she re-encounters "Shelton" (Grant Withers) who is in need of a nanny for his daughter "Gloria" (Shirley Temple). This romance does blossom but has she seen the last of her erstwhile boss? The stories - there are essentially two, here - are nothing much to write home about, but I did rather like the ending and Kennedy has a certain chemistry with the camera that easily enables her to out-act her male counterparts. Temple is also a natural in front of the lens, and though she doesn't really feature very often, she does bring a little charm to this otherwise watchable, but rather by-the-numbers, romantic thriller.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.