Is Red Sonja Worth Watching?
Answer: Maybe not, Red Sonja is likely a skip if you enjoy Adventure movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Red Sonja is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.4/10, it has delivered a mixed experience for fans of the Adventure, Fantasy, Action genre.
Answer: Maybe not, Red Sonja is likely a skip if you enjoy Adventure movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1985, Red Sonja emerges as a significant entry in the Adventure, Fantasy, Action domain. The narrative core of the film focuses on a sophisticated exploration of The tyrant Gedren seeks the total power in a world of barbarism. Unlike standard genre fare, Red Sonja attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Adventure is often anchored by its ensemble, and Red Sonja features a noteworthy lineup led by Arnold Schwarzenegger . Supported by the likes of Brigitte Nielsen and Sandahl Bergman , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Red Sonja (1985) is mixed. With an audience rating of 5.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Red Sonja is a Adventure, Fantasy, Action film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. The tyrant Gedren seeks the total power in a world of barbarism. She raids the city Hablac and kills the keeper of a talisman that gives her great power. Red Sonja, sister of the keeper, sets out with her magic sword to overthrow Gedren. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: Red Sonja attempts to tie together its various plot elements. The finale presents its approach to adventure resolution.
The climactic sequence delivers on the escalating tension, offering viewers material for post-viewing discussion.
The final moments of Red Sonja reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $17.9M |
| Worldwide Gross | $6.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Red Sonja is $17.9M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.4/10, and global collection metrics, Red Sonja stands as a challenging project for the creators. It remains an essential piece of the 1985 cinematic year.
Red Sonja has received mixed reviews with a 5.4/10 rating, making it a moderate success with the audience.
Red Sonja is a mixed bag. It might be worth watching if you're a fan of Adventure, Fantasy, Action movies, but read reviews first.
Red Sonja may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Not a good REH interpretation (it’s too campy), but entertaining in some ways "Red Sonja" (1985) is essentially "Conan 3," after "Conan the Barbarian" (1982) and "Conan the Destroyer" (1984). Schwarzenegger plays the barbarian 'Kalidor' here because the filmmakers didn't have the rights to the 'Conan' name since 'Red Sonja' was owned by a company separate from the REH people, yet -- strangely -- they could use REH's Hyborian setting, albeit in a half-axxed way. "Red Sonja" is the least of the three films. In other words, if you couldn't stomach parts of "Conan the Destroyer" you'll loathe "Red Sonja." It starts out pretty good but by the 23-minute mark the goofiness kicks in with the introduction of Prince Tarn (the spoiled Asian child who deems himself a king) and his loyal rotund assistant, Falkon. The sword & sorcery silliness turns full throttle by the final act. Needless to say, Robert E. Howard (REH) was rolling over in the grave at such roll-your-eyes treatment of his S&S fantasy world. It's strange because, for the most part, the film gets the LOOK of the Hyborian Age down pretty good, although there are some really fake-looking props/costumes/effects here and there. But, generally speaking, they did a decent job with the locations, costumes, cast and props. The problem is the overall cartoonish vibe. It's like Conan for kids or something and it's almost saddening to observe all this expense & effort wasted by the inexplicable decision to go the camp route. It mars what could have been a quality REH-influenced picture. John Milius' "Conan the Barbarian" may have deviated from REH but it made up for it by taking Conan and the Hyborian Age seriously, not that it was totally humorless. Laughter and lightness are an intrinsic part of life but they don't need to devolve into campy silliness. "Red Sonja," by contrast, is so silly at points that it's impossible to take seriously. This isn't to say it's all bad though. If you're in the right mode "Red Sonja" can fill the bill. It's not good, and you can't take it too seriously, but it's somewhat entertaining. What works? For one, as already noted, the film scores decently as far as visuals go. For instance, the Italian locations are gorgeous and, although Brigitte Nielsen in all her 6-foot glory doesn't match the comic's depiction of Red Sonja and looks more like Red Mullet, I have to admit that she's pleasant to the eye, and her swordplay is impressive. Also, the score by Ennio Morricone (famous for his great Spaghetti Western compositions back in the day, like "The Good, The Bad, and the Ugly," “Death Rides a Horse” and “Navajo Joe”) is pretty good too, although nowhere near the exceptionality of Basil Poledouris' compositions for the first two Conan flicks. Also, although Prince Tarn & Falkon are eye-rolling characters, you can't help but start to like them as the story progresses. As a matter of fact, the story in general pretty much maintains your attention, despite the occasional silliness. Another plus is Sandahl Bergman as the mad villain queen, but the filmmakers dropped the ball here because she appears fully clothed from head to toe throughout. The thing is, although Sandahl's face isn't ultra-cute like Brigitte, Sandahl has a killer body that exceeds Brigitte's. But you won't see it here; you'll have to re-watch "Conan the Barbarian" for that. Not that I'm suggesting a need for nudity or sex; it's just that Sandahl's a jaw-dropping whoa-man and they should have taken advantage of this with some more form-fitting attire to show-off her beauty. But she still looks great here, particularly in black hair and a cool mask. BOTTOM LINE: "Red Sonja" is a real mixed bag. It fails as a cinematic interpretation of REH's Hyborian world, but only because the filmmakers opted for kid-friendly goofiness at the expense of brutal S&S pseudo-reality. However, the film looks and sounds good, for the most part. Bergman and Nielsen are quality eye-candy and it is somewhat charming if you're in the right frame of mind. But I’ll take “Kull the Conqueror” (1997) over this; it has a light side too, but it’s less kiddie-ish and was loosely based on REH’s “By this Axe I Rule,” which means it contains more REH. Not to mention Kevin Sorbo makes for a great Kull, although he’s too genial and not brooding enough. The film runs 1 hour, 29 minutes. GRADE: C/C- (but sometimes amuses to the level of B-/C+)
Hot off the back of his outing as "Conan", Arnold Schwarzenegger teams up with Brigitte Nielsen in the eponymous role as both have to avenge the killing of her family and the destruction of her homeland by the evil "Gedren" (Sandahl Bergman). Their task is not helped much by their alighting on the precociously irritating Prince "Tarn" (Ernie Reyes Jnr.) and his nice but dim bodyguard "Falkon" (Paul L. Smith). Various set-piece escapades follow as "Sonja" gradually realises that she cannot prevail without the help of Arnie against the evil queen and her sidekick "Ikol" (Ronald Lacey) and so battle lines are drawn and sword play and acrobatics ensue. It's mercifully short which is a double blessing because I really did want to throttle the young princeling after about five minutes and I could probably extend that sentiment to the writing in general. It's woeful. Schwarzenegger has a little of his tongue in his cheek here, but the rest of the film takes itself far too seriously and better visual effects could probably have been conjured by a third year chemistry student. Nielsen has precisely no charisma, no charm, no screen presence - she just happens to be someone who looks like she could give Mike Tyson a run for his money and that, sadly, doesn't make this weak effort remotely entertaining as we meander along towards the inevitable conclusion. I suspect it did wonders for the sales of leather, but little else...
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.