Is Return to Seoul Worth Watching?
Answer: Yes, Return to Seoul is definitely worth watching if you enjoy Drama movies.
It features a runtime of 119 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Return to Seoul is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Return to Seoul is definitely worth watching if you enjoy Drama movies.
It features a runtime of 119 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2022, Return to Seoul emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Unlike standard genre fare, Return to Seoul attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Return to Seoul features a noteworthy lineup led by Park Ji-Min . Supported by the likes of Oh Kwang-rok and Guka Han , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Return to Seoul (2022) is mixed. With an audience rating of 6.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Return to Seoul is a Drama film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: Return to Seoul concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Return to Seoul reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $1.6M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |









MUBI
MUBI Amazon Channel
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Return to Seoul stands as a challenging project for the creators. It remains an essential piece of the 2022 cinematic year.
Return to Seoul has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Return to Seoul is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Return to Seoul is currently available for streaming on MUBI. You can also check for it on platforms like MUBI, MUBI Amazon Channel depending on your region.
I think I may have warmed to this film better had I not taken an instant dislike to "Freddie" (Park Ji-min). Now it's certainly a testament to this actor that she is able to successfully - and pretty immediately - engender a sense that her character is a rather selfish, manipulative and unpleasant individual; but I'm afraid I struggled to remain engaged as her troubled story of adoption and of her re-introduction to her birth family is played out over the next two hours. "Freddie" appears to have been happily brought up by a couple in France, so her increasingly thoughtless behaviour doesn't really have an anchor - and as we progress and she becomes more obnoxious - as exemplified by her final scene in the car with poor old "Maxime" (Yoann Zimmer) - I found the story has just about run out of merit. The acting is generally good. The efforts from her slightly dipso dad (Oh Kwang-rok) is convincing as he has to reconcile the discovery of his long-lost daughter with his dependency on the bottle and her own pretty obvious disdain for the man. It also offers us quite an interesting insight into just how adoptions worked as the decline of the French colonial system in post-war Korea led to many children being offered by parents who hoped that a childhood and education in France would offer greater opportunity, but again with "Freddie" that isn't really developed. What has turned her into this rather objectionable person is rather left aside. It has an element of "be careful what you wish for" to it, and is, at times, an interesting observation on the stresses of the post-adoption processes but I just didn't like or care about her and so my enthusiasm just waned.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.