Performance & Direction: Rio Lobo Review
Last updated: January 20, 2026
Quick Verdict: Hit or Flop?
Is Rio Lobo (1970) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.5/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Western.
Cast Performances: A Masterclass
The success of any Western is often anchored by its ensemble, and Rio Lobo features a noteworthy lineup led by John Wayne . Supported by the likes of Jorge Rivero and Jennifer O'Neill , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Rio Lobo (1970) is mixed. With an audience rating of 6.5/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Rio Lobo
Quick Plot Summary: Rio Lobo is a Western film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Rio Lobo
Ending Breakdown: Rio Lobo concludes its story with a mix of closure and open interpretation. The finale presents its approach to western resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the western themes established throughout the runtime.
The final moments of Rio Lobo reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Rio Lobo?
Worth Watching If You:
- Enjoy Western films and don't mind familiar tropes
- Are a fan of the cast or director
- Want solid genre entertainment
Top Cast: Rio Lobo
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Where to Watch Rio Lobo Online?
Streaming Hub🎟️ Rent on
Amazon VideoRio Lobo Parents Guide & Age Rating
1970 AdvisoryWondering about Rio Lobo age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Rio Lobo is 116 minutes (1h 56m). Ensuring you have enough time for the full cinematic experience.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 6.5/10, and global collection metrics, Rio Lobo stands as a successful venture for the creators. It remains an essential piece of the 1970 cinematic year.
Frequently Asked Questions
Is Rio Lobo worth watching?
Rio Lobo is definitely worth watching if you enjoy Western movies. It has a verified rating of 6.5/10 and stands as a HIT in our box office analysis.
Where can I find Rio Lobo parents guide and age rating?
The official parents guide for Rio Lobo identifies it as G. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Rio Lobo?
The total duration of Rio Lobo is 116 minutes, which is approximately 1h 56m long.
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How Rio Lobo Compares & Where it Ranks
Critic Reviews for Rio Lobo
Don't say comfortable eh? Out of Paramount Pictures, Rio Lobo is directed and produced by Howard Hawks (the last film he would direct) and stars John Wayne, Jorge Rivero, Jeniffer O'Neill, Jack Elam & Christopher Mitchum. It's written by Leigh Brackett & Burton Wohl, musically scored by Jerry Goldsmith and photographed by William H. Clothier on location at Cuernavaca, Mexico & Tuscon, Arizona. It's the third film in a loose trilogy by Hawks & Wayne that follows Rio Bravo (1959) & El Dorado (1966). Plot follows Wayne as Union officer Cord McNally who loses gold shipments (via the railway) to Confederate guerrillas led by Pierre Cordona (Rivero) & Tuscarora Phillips (Mitchum). It's the start of a relationship that will see all parties end up in Rio Lobo, Texas, where a traitor and a despotic sheriff are in their midst. Rio Lobo is easily the weakest Western that Hawks made with Duke Wayne. He himself would say that he didn't like the film, felt it wasn't any good, while Wayne himself was quoted as saying that he had already made the film twice before. Almost everything about Rio Lobo is tired, from the formula of the story to Wayne sleepwalking thru a role that held no challenge, it's a poor send off for one of America's finest directors. The script is solid enough, with many Hawksian themes evident; and it's nice to see the three lady characters be important to the story, but the cast put around Wayne are poor and out of their depth and this rubs off on the normally professional Wayne who finds he has nothing to act off of. It's not a total stinker, tho, certainly Clothier's photography and Goldsmith's score are worthy of investing time with, and the lead off sequence involving the train robbery is well put together and stirs the adrenalin. Sadly the film is never able to reach those heights again, with the ending being a rather tame affair that doesn't do justice to the bitter revenge tone that Hawks has steered the film towards. Of the sub-standard support cast there's only Jack Elam who is worth watching, be it for comedy value or for just giving it some gusto. All told the film just about comes out as watchable Sunday afternoon fodder. A running theme in the film sees fun poked at the ageing Wayne's expense, one of which involves the word comfortable. That is an apt word to use for Rio Lobo, because director and star are in the comfort zone, comfortably making an unchallenging and old hat movie. 5/10
There are really only two things to speak of with this: Tommy Tedesco's lovely guitar solo of Jerry Goldsmith's theme and Jack Elam is perfectly cast as the cantankerous whisky-swilling "Mr Phillips". Otherwise, it's just a routine outing for John Wayne (and Howard Hawks) who pretty much bears the weight of the film. Jorge Rivero; Jennifer O'Neill and Christopher Mitchum make up the numbers. The story is fun - a Yankee colonel meets up after the Civil war with two former Confederate officers to track down a man who had been selling secrets during the war and we have a few, predictable, adventures en route to an explosive climax.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









