Is Rush Week Worth Watching?
Answer: Maybe not, Rush Week is likely a skip if you enjoy Horror movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Rush Week is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the Horror, Mystery, Thriller genre.
Answer: Maybe not, Rush Week is likely a skip if you enjoy Horror movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1989, Rush Week emerges as a significant entry in the Horror, Mystery, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of An ambitious young journalist working for her college newspaper becomes intrigued by the recent string of disappearances of several female students, which she believes to be connected to an on-campus murder that happened the previous year during the college's raucous Rush Week. Unlike standard genre fare, Rush Week attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and Rush Week features a noteworthy lineup led by Pamela Ludwig . Supported by the likes of Dean Hamilton and Roy Thinnes , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Rush Week (1989) is mixed. With an audience rating of 5.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Rush Week is a Horror, Mystery, Thriller film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Rush Week attempts to tie together its various plot elements. The finale presents its approach to horror resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Rush Week reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:






Analyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, Rush Week stands as a challenging project for the creators. It remains an essential piece of the 1989 cinematic year.
Rush Week has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
Rush Week is a mixed bag. It might be worth watching if you're a fan of Horror, Mystery, Thriller movies, but read reviews first.
Rush Week may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Watchable (just barely) but also highly predictable 1980s slasher that has some good-bad moments here and there, but nearly enough to make it a recommendation. The lead actress, Pamela Ludwig, was at least easy on the eyes and gives an okay performance, but everything else really doesn't work. Heck, the end feels like the culmination of a Scooby-Doo episode. **2.25/5**
**_Nancy Drew goes to college where there’s an axe-murderer_** A journalism student (Pamela Ludwig) transfers to a university in SoCal during a notorious fraternity’s rush week ceremonies. When attractive female coeds go missing and are curiously underreported, she investigates, but this attracts the attention of the axe-wielding antagonist. “Rush Week” is a mystery/slasher that was released direct-to-video in the UK at the end of 1989, and not made available in the USA until early 1991. I point this out because it doesn’t have the ‘feel’ of a theatrical release. While there’s some nudity, there’s hardly any gore until the final ‘kill’ (not that I care personally; I’m just reporting). Despite being second tier, it should be enjoyed by fans of, say, "Happy Birthday to Me" (1981), “Zombie High” (1987) and the later “Class Warfare” (2001). Ludwig works well as the star with her distinctive, pretty face. She was 28 during shooting and left acting for good in 1990 after an 11-year career where breakout success was denied her. Also on the feminine front, Kathleen Kinmont, from “Halloween 4” (1988), has a noteworthy sequence in the opening act. Meanwhile Heidi Holicker is a highlight as Sarah in a small part; you might remember her as Stacey in “Valley Girl” (1983). On the other side of the gender spectrum, Gregg Allman from the Allman Brothers, and Cher’s ex-hubby, has a notable cameo as an aged-hippie “faculty advisor.” While this has a comic booky direct-to-video vibe, it’s colorful and a fitting choice if you’re in the mood for something Halloween-ish, like "Night of the Creeps" (1986), just not as good production-wise. I’d watch it any day over the overrated and ridiculously contrived “Scream” (1996). Sure, this is contrived and cartoonish too, not to mention predictable, but it’s more palatable and less eye-rolling. The film runs 1 hour, 36 minutes, and was shot in Los Angeles at the VA Hospital in Brentwood and the Higgins-Verbeck-Hirsch Mansion in Windsor Square. GRADE: B-
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.