Performance & Direction: Satan Never Sleeps Review
Last updated: January 24, 2026
Quick Verdict: Hit or Flop?
Is Satan Never Sleeps (1962) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 5.1/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Satan Never Sleeps features a noteworthy lineup led by William Holden . Supported by the likes of Clifton Webb and France Nuyen , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Satan Never Sleeps (1962) is mixed. With an audience rating of 5.1/10, it stands as a decent one-time watch.
Story & Plot Summary: Satan Never Sleeps
Quick Plot Summary: Satan Never Sleeps is a Drama film that explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Satan Never Sleeps
Ending Breakdown: Satan Never Sleeps attempts to tie together its various plot elements. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of Satan Never Sleeps reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Satan Never Sleeps?
Consider Watching If:
- You're a completist for Drama films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Satan Never Sleeps
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Where to Watch Satan Never Sleeps Online?
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YouTube TVSatan Never Sleeps Parents Guide & Age Rating
1962 AdvisoryWondering about Satan Never Sleeps age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Satan Never Sleeps is 125 minutes (2h 5m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.1/10, and global performance metrics, Satan Never Sleeps is classified as a AVERAGE. It remains an essential part of the 1962 cinematic calendar.
Frequently Asked Questions
Is Satan Never Sleeps worth watching?
Satan Never Sleeps is definitely worth watching if you enjoy Drama movies. It has a verified rating of 5.1/10 and stands as a AVERAGE in our box office analysis.
Where can I find Satan Never Sleeps parents guide and age rating?
The official parents guide for Satan Never Sleeps identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Satan Never Sleeps?
The total duration of Satan Never Sleeps is 125 minutes, which is approximately 2h 5m long.
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Critic Reviews for Satan Never Sleeps
Clifton Webb is quite effective here as a catholic priest "Fr. Bovard" who must reconcile his rather optimistically dogmatic faith with the arrival of his more worldly and pragmatic assistant "Fr. O'Banion" (William Holden) and the rise of the Communist party as exemplified by his former student "Chung Ten" (Robert Lee) who takes some pleasure in making his erstwhile friend suffer whilst violating their new young cook "Siu Lan" (France Nuyen). What now ensues is a battle of wills that increasingly polarises both men of principle with an underwhelming Holden treading the middle ground. The frequently quite appalling subject matter is pretty clunkily handled; the plot oversimplifies just about everything it touches and ultimately we are left with characterisations that offer the audience little to like or to, until right at the very end, sympathise with. This last film from the usually engaging Webb is hardly a fitting cinematic epitaph, but at least he does do his job - something no-one else on either side of the camera can reasonably claim to do well here.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










