Scary Stories to Tell in the Dark
Performance & Direction: Scary Stories to Tell in the Dark Review
Last updated: February 7, 2026
Quick Verdict: Hit or Flop?
Is Scary Stories to Tell in the Dark (2019) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.5/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Horror.
Cast Performances: A Masterclass
The success of any Horror is often anchored by its ensemble, and Scary Stories to Tell in the Dark features a noteworthy lineup led by Zoe Colletti . Supported by the likes of Dean Norris and Michael Garza , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Scary Stories to Tell in the Dark
Quick Plot Summary: Scary Stories to Tell in the Dark is a Horror, Adventure, Mystery film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
Story Breakdown
The horror unfolds through carefully crafted atmosphere and escalating dread. Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control. The film uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Narrative Structure
- Opening Hook: An unsettling prologue sets the ominous tone, hinting at the terror to come while establishing the rules of this world.
- Character Arc: The main character shows growth throughout the story, though some supporting characters could have been more fully realized. The arc is present but occasionally predictable.
- Climax & Resolution: The final act escalates the terror to its peak, forcing characters to confront the source of horror directly.
Ending Explained: Scary Stories to Tell in the Dark
Ending Breakdown: Scary Stories to Tell in the Dark concludes its story with a mix of closure and open interpretation. The finale presents its approach to horror resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the horror themes established throughout the runtime.
The final moments of Scary Stories to Tell in the Dark reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Scary Stories to Tell in the Dark?
Worth Watching If You:
- Enjoy Horror films and don't mind familiar tropes
- Are a fan of the cast or director
- Want a few scares and creepy atmosphere
Box Office Collection: Scary Stories to Tell in the Dark
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $25.0M |
| Worldwide Gross | $104.5M |
| Trade Verdict | CLEAN HIT |
Scary Stories to Tell in the Dark Budget
The estimated production budget for Scary Stories to Tell in the Dark is $25.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Scary Stories to Tell in the Dark
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Where to Watch Scary Stories to Tell in the Dark Online?
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Fandango At HomeScary Stories to Tell in the Dark Parents Guide & Age Rating
2019 AdvisoryWondering about Scary Stories to Tell in the Dark age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Scary Stories to Tell in the Dark is 108 minutes (1h 48m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.5/10, and global performance metrics, Scary Stories to Tell in the Dark is classified as a HIT. It remains an essential part of the 2019 cinematic calendar.
Frequently Asked Questions
Is Scary Stories to Tell in the Dark worth watching?
Scary Stories to Tell in the Dark is definitely worth watching if you enjoy Horror movies. It has a verified rating of 6.5/10 and stands as a HIT in our box office analysis.
Where can I find Scary Stories to Tell in the Dark parents guide and age rating?
The official parents guide for Scary Stories to Tell in the Dark identifies it as PG-13. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Scary Stories to Tell in the Dark?
The total duration of Scary Stories to Tell in the Dark is 108 minutes, which is approximately 1h 48m long.
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Critic Reviews for Scary Stories to Tell in the Dark
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed. It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started. André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself… It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough. The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie. Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating. All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes. However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it! Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I have no idea why I was expecting an anthology before I started watching this film. Anyway, it doesn’t matter. While I dislike the increasingly high number of horror films which take place in 1960s/70s/80s nowadays, I still enjoyed watching this one. Surprisingly, each scary scene in the film is better than the one before, which makes the film better as you keep watching it. Would I watch it again? Yes. Would I make my friends watch it? Why not?
Most "Haunted House" attraction movies are horrible. "Haunt" is the rare exception. The directors also wrote "The Quiet Place" and Eli Roth was involved. Regardless, this is a slick Halloween thriller.
For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.
For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.
I had high expectations for this movie. The books means so much to me. I found them when I was a lonely kid in School who was picked on and what day went to the library and found a book called scary stories to tell in the dark. I fell in love with the stories due to my Macabre nature. I've always held all three books in the series close to my heart. However this movie didn't really bring what the books bring which is a sentence of sheer terror. I felt like there weren't enough scary moments. There wasn't enough short stories. It felt like we were focused on the one girl's story and her tacked on love interest. I did love the few scary moments it did have and the one gross one with the big toe. I just felt like it needed more and could have done more. It's not a horrible movie it just feels like it's not finished and like it wasn't enough.
It must be old age but 2019 has produced half a dozen so-called "horror" films that are about as terrifying as running out of milk. This has one of the better, though still pretty derivative, storylines; and at times can be quite dark, but the use of teenagers as the conduits for the fear just isn't convincing. The plot, such as it is, is remarkably forgettable and the effects rely heavily on (admittedly some very effective) sound editing. Won't have your quivering unless you're sitting in a draft....
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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