Is Screwed Worth Watching?
Answer: Maybe not, Screwed is likely a skip if you enjoy Crime movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Screwed is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the Crime, Action genre.
Answer: Maybe not, Screwed is likely a skip if you enjoy Crime movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2011, Screwed emerges as a significant entry in the Crime, Action domain. The narrative core of the film focuses on a sophisticated exploration of The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Unlike standard genre fare, Screwed attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Screwed features a noteworthy lineup led by James D'Arcy . Supported by the likes of Noel Clarke and Frank Harper , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Screwed (2011) is mixed. With an audience rating of 5.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Screwed is a Crime, Action film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Screwed attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The climactic sequence delivers on the escalating tension, offering viewers material for post-viewing discussion.
The final moments of Screwed reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Screwed incorporates elements from real criminal cases. As a crime, action film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Screwed adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $3.0 |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Screwed is $3.0. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.








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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, Screwed stands as a challenging project for the creators. It remains an essential piece of the 2011 cinematic year.
Screwed has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
Screwed is a mixed bag. It might be worth watching if you're a fan of Crime, Action movies, but read reviews first.
Screwed may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Caged animals? Unleash the narrative beast please! If ever there was a wasted opportunity to add another Great British prison movie to the roster headed by Alan Clarke’s incendiary Scum, then Screwed is it. The credentials were promising. Based on the real life memoirs of Ronnie Thompson, an ex squaddie who post a tough tour of duty joined the prison service and apparently found another kind of war on the inside, and the adaptation to screen is headed by Brit thespian bad boys Noel Clarke, Frankie Harper and James D’Arcy. Yet what unfolds for the duration of the pic is the standard raft of clichés we movie fans have seen time and time again. There’s some early promise that maybe this will have something to say as regards a returning war veteran, hints that the screenplay will have caustic asides on the British penal system – and the problems inherent within our prisons, but it never delivers, instead choosing to macho everything up in such a fanciful fashion you have to wonder exactly what is actually based on facts? There’s also the small matter of the fact the whole picture plays as very similar to Phil Davis’ excellent 1995 football hooligan movie, i.d. Only there it was an undercover policeman getting in feral with his work, here it’s a prison officer doing likewise. There’s even a sex scene that is lifted straight from Davis’ movie. Having not read Thompson’s book, “Screwed: The Truth About Life As A Prison officer”, something which I intend to correct in the immediate future, I can’t vouch for the veracity of this adaptation to screen. However, the film feels empty, like it’s following a guide book written by the British press on how they “think” our prisons operate, fuelling the horror fire of what filmic adaptations over the decades have led us to believe are regular occurrences. Only Thompson knows the truth, both of his experiences and of how his book has been translated on screen, but all things considered it’s a lazy same old same old film. 5/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.