Sebastian
Performance & Direction: Sebastian Review
Last updated: January 24, 2026
Quick Verdict: Hit or Flop?
Is Sebastian (2024) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 6.4/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Sebastian features a noteworthy lineup led by Ruaridh Mollica . Supported by the likes of Hiftu Quasem and Jonathan Hyde , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Sebastian (2024) is mixed. With an audience rating of 6.4/10, it stands as a highly recommended experience for genre enthusiasts.
Story & Plot Summary: Sebastian
Quick Plot Summary: Sebastian is a Drama film that explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Sebastian
Ending Breakdown: Sebastian concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of Sebastian reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Sebastian?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of the cast or director
- Want a character-driven story with emotional moments
Top Cast: Sebastian
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Where to Watch Sebastian Online?
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Fandango At HomeSebastian Parents Guide & Age Rating
2024 AdvisoryWondering about Sebastian age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Sebastian is 110 minutes (1h 50m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.4/10, and global performance metrics, Sebastian is classified as a ABOVE AVERAGE. It remains an essential part of the 2024 cinematic calendar.
Frequently Asked Questions
Is Sebastian worth watching?
Sebastian is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.4/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Sebastian parents guide and age rating?
The official parents guide for Sebastian identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Sebastian?
The total duration of Sebastian is 110 minutes, which is approximately 1h 50m long.
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Critic Reviews for Sebastian
Authors striving for authenticity in their work often engage in extensive background research, sometimes of a firsthand nature, to get things right. However, when it comes to writer-director Mikko Mäkelä’s second (and inexplicably much-applauded) feature, I have some serious reservations about its applicability here. This tale of a talented young London-based author of award-winning short stories and magazine pieces is embarking on his first novel, an inside exposé of the lives of gay male sex workers. To find out what these experiences are like, the ambitious emerging wordsmith, Max Williamson (Ruaridh Mollica), decides to investigate the subject by becoming an escort, arranging hook-ups through an internet website under the pseudonym “Sebastian.” But, the more involved he becomes in his research, the more he becomes consumed by it, unsure how to keep control over it. Strangely, though, there are also times when he’s apparently ambivalent about it, going to great lengths to keep both his hustling work – and even his sexuality – a secret. Is he trying to keep from being discovered by his clients and writing peers, or is he a closet case who, quite ironically, hasn’t fully come to accept himself (not even coming out to his own family)? In any event, he engages in a string of diverse encounters that leave him – and viewers – wondering about exactly where he’s going with all this, including a somewhat baffling, unexpected budding romance with an older gentleman (Jonathan Hyde). This plethora of mixed motivations is where the film gets itself into trouble, hopelessly meandering in multiple, seemingly contradictory directions, raising questions about what the filmmaker/screen writer actually had in mind, as well as how diligent he was in doing his homework in crafting the story. “Sebastian” thus often comes across like a series of sexual escapades with a poorly conceived story wrapped about them, many of which end up falling back on well-worn, outdated gay cautionary tale tropes. The film also incorporates some implausible developments involving the publishing business, stretching the picture’s credibility even further. In light of this, then, it’s hard to fathom how and why this offering has received as many accolades as it has, especially as a potential candidate for awards season recognition. In my view, this release needs major retooling, not only to provide a more focused narrative, but also to strengthen its character development to something more believable and something that generates a more viable audience connection. To be sure, there are many fine LGBTQ+ movies out there these days that are genuinely worthy of praise and recognition – but this overrated production certainly isn’t one of them.
“Max” (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of “Sebastian” but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don’t quite add up; timelines don’t quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn’t care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson’s “Daniel” seemed just too Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man’s increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it’s all too bitty. Worth a watch, but not what it could have been.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










