Performance & Direction: Sitting on the Moon Review
Last updated: January 29, 2026
Quick Verdict: Hit or Flop?
Is Sitting on the Moon (1936) worth watching? According to our cinematic analysis, the film stands as a FLOP with a verified audience rating of 4.3/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Sitting on the Moon features a noteworthy lineup led by Roger Pryor . Supported by the likes of Grace Bradley and William Newell , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Sitting on the Moon
Quick Plot Summary: Sitting on the Moon is a Comedy, Drama film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Sitting on the Moon
Ending Breakdown: Sitting on the Moon attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Sitting on the Moon reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Sitting on the Moon?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Sitting on the Moon
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Where to Watch Sitting on the Moon Online?
Streaming HubSitting on the Moon Parents Guide & Age Rating
1936 AdvisoryWondering about Sitting on the Moon age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Sitting on the Moon is 66 minutes (1h 6m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 4.3/10, and global performance metrics, Sitting on the Moon is classified as a FLOP. It remains an essential part of the 1936 cinematic calendar.
Frequently Asked Questions
Is Sitting on the Moon worth watching?
Sitting on the Moon is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 4.3/10 and stands as a FLOP in our box office analysis.
Where can I find Sitting on the Moon parents guide and age rating?
The official parents guide for Sitting on the Moon identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Sitting on the Moon?
The total duration of Sitting on the Moon is 66 minutes, which is approximately 1h 6m long.
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Critic Reviews for Sitting on the Moon
This is quite a fun story that depicts just the efforts that folks will go to for stardom. Lyricist “Danny” (Roger Pryor) is determined to make a go of things with actress “Polly” (Grace Bradley) so he can kick-start her career but that can’t happen whilst he is yoked to his writing partner “Mike” (William Newell). He’s a bit devastated by these shenanigans and seeks some solace with her pal “Mattie” (Pert Kelton). Swiftly rejuvenated, somewhat, “Mike” decides it’s time for a little retribution and so he sets about driving a wedge between the new lovers and this involves him playing quite an entertaining little game with “Blossom” (Joyce Compton) who he hopes to use as a tool to instil just an hint of jealousy. As you’d expect, this is all going to be a messy affair - but how much more so when someone tries to do a little bit of extorting too? It’s all rather formulaic, sure, but there’s just a soupçon of mischief going on here that Pryor, Newell and Compton work well to deliver as well as there being a little humour to be had from a script that’s not exactly taxing, but amiable enough. There’s probably a little too much of the indifferent title song, but at least Pryor and Bradley did their own singing and the whole thing rather effortlessly passes an hour that raises the odd smile, but that you’ll never remember.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.








