Is Son of the Mask Worth Watching?
Answer: Maybe not, Son of the Mask is likely a skip if you enjoy Fantasy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Son of the Mask is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.2/10, it has delivered a mixed experience for fans of the Fantasy, Comedy, Family, Adventure genre.
Answer: Maybe not, Son of the Mask is likely a skip if you enjoy Fantasy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2005, Son of the Mask emerges as a significant entry in the Fantasy, Comedy, Family, Adventure domain. The narrative core of the film focuses on a sophisticated exploration of Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Unlike standard genre fare, Son of the Mask attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Fantasy is often anchored by its ensemble, and Son of the Mask features a noteworthy lineup led by Jamie Kennedy . Supported by the likes of Alan Cumming and Traylor Howard , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Son of the Mask (2005) is negative. With an audience rating of 4.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Son of the Mask is a Fantasy, Comedy, Family, Adventure film that transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Then after conceiving an infant son "born of the mask", he discovers just how looney child raising can be. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: Son of the Mask attempts to tie together its various plot elements. The finale presents its approach to fantasy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Son of the Mask reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $84.0M |
| Worldwide Gross | $59.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Son of the Mask is $84.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.






HBO Max
HBO Max Amazon Channel
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 4.2/10, and global collection metrics, Son of the Mask stands as a challenging project for the creators. It remains an essential piece of the 2005 cinematic year.
Son of the Mask is considered a flop based on audience ratings of 4.2/10 and lower collections.
Based on the low rating of 4.2/10, Son of the Mask may not be worth watching unless you are a die-hard fan.
Son of the Mask is currently available for streaming on HBO Max. You can also check for it on platforms like HBO Max, HBO Max Amazon Channel depending on your region.
Just as awful as I had anticipated. With that said, it's nothing so bad that it offended me - it's simply totally and utterly bad, to the point I kinda find it hard to hate on it because I just don't have any thoughts on it. It is, without question, undoubtedly worse than 1994's 'The Mask' in every conceivable way though. Jamie Kennedy's version of this Dark Horse Comics character is truly dreadful, especially visually, though thankfully the film doesn't actually give that much air time to Kennedy as The Mask; like, he's there but it's predominantly the dog and the son that get much of the screen time alongside Alan Cumming's Loki - to slightly better effect too, the way the kid is animated kinda nearly works... it doesn't, but almost. Ryan Reynolds, according to Kennedy himself, possibly wanted this role. It's lucky Reynolds didn't get his way, or he'd be stuck with a green ghoul in his past. Oh, wait! 4/10 is probably generous on my part, though there are far worse films out there that actually annoy me - 'Son of the Mask' honestly doesn't. It kinda just exists and I'm almost nonplussed about it.
**A film made to make money off the success of its predecessor, but which has nothing to do with it.** Anyone who saw the movie “The Mask” with Jim Carey, from 1994, cannot remain indifferent. It's one of those family comedies that marked the 90's and that strongly contributed to the meteoric rise of the comic actor's career. It was a film that, in my opinion, did not need a sequel, but that, if it came to exist, would have to have the same crew and a similar cast (that is, keeping, at least, Carey and some other actors). Unfortunately, this movie does everything it shouldn't have done. In fact, any comparison between the first movie and this crap is pointless. It is not the first time that I see that there are sequels made to profit from great successes and that have virtually no connection with the preceding films. This is just one more example. Jim Carey was right not to want to associate himself with a project that failed at the outset, not least because most of the cast that associated with the film did not manage to take advantage of it beyond the financial inflow. The film is clearly expensive and stupid. It had a high budget, which was invested in a range of CGI assets and massive and sometimes impressive visual effects, but everything else is lacking. And the film's biggest flaw couldn't be any other: the script is so amateurish and idiotic that it seems to have been written by ten-year-old children. Ideas are bad, there are a number of situations in which we feel that the public is being mocked, and our intelligence is being mocked too. Another problem with this film is the total lack of humor. The movie was supposed to be funny and make us laugh, but we couldn't find anything funny. Much of what is shown was already done – and better – in the first film, and what has been introduced as new is a series of scatological or gross jokes that, I think, could have been cut. Even children's audiences might not be very interested in seeing this, if you think about it. The cast does what they can, but they can't do much. Deep down, the actors end up being the least to blame for the fact that the film is rubbish. Alan Cumming turns out to be the best actor present and is the only one worth seeing work. He's an effective villain and his comedic streak is interesting, but totally wasted here. Bob Hoskins makes an appearance, but it is innocuous and adds nothing to the film. Jamie Kennedy is bad, he does a bad job, and surely he must be sorry he got into this movie. The rest is basically a bunch of extras, even when they have to talk.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
Explore the full watch order, ratings, and collection details.
View Full Franchise