Is Spellbound Worth Watching?
Answer: Yes, Spellbound is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 111 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Spellbound is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.4/10, it has delivered a compelling experience for fans of the Thriller, Mystery, Romance genre.
Answer: Yes, Spellbound is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 111 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1945, Spellbound emerges as a significant entry in the Thriller, Mystery, Romance domain. The narrative core of the film focuses on a sophisticated exploration of When Dr. Unlike standard genre fare, Spellbound attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Thriller is often anchored by its ensemble, and Spellbound features a noteworthy lineup led by Ingrid Bergman . Supported by the likes of Gregory Peck and Leo G. Carroll , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Spellbound (1945) is overwhelmingly positive. With an audience rating of 7.4/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Spellbound is a Thriller, Mystery, Romance film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
The plot weaves a complex web of mystery and suspense. When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis. Information is revealed strategically, keeping viewers engaged as they piece together clues alongside the protagonist. The narrative maintains momentum through well-timed revelations and unexpected turns.
Ending Breakdown: Spellbound resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Spellbound reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $1.5M |
| Worldwide Gross | $7.0M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Spellbound is $1.5M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Analyzing the audience sentiment, IMDb rating of 7.4/10, and global collection metrics, Spellbound stands as a successful venture for the creators. It remains an essential piece of the 1945 cinematic year.
Spellbound is considered a hit based on audience response and box office performance. With a rating of 7.4/10, it's highly recommended for fans of Thriller, Mystery, Romance movies.
Yes, Spellbound is definitely worth watching! It's a must-watch hit for fans of Thriller, Mystery, Romance cinema.
Spellbound may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
This intriguing little crime/thriller from the great Alfred Hitchcock isn't half bad. It's a more unusual Hitch effort, but the story has plenty of twists and turns to keep interest. Ingrid plays a kindhearted psychologist who falls in love with the new doctor at the asylum where she's working, but he may not be all that he seems. I'm sorry, Ms. Bergman; it looks like you've fallen in love with a psycho.
When Leo G. Carroll ("Dr. Murchison") steps down as director of the "Green Manors" - a centre for psychoanalysis, he is replaced by Gregory Peck ("Dr. Edwardes") who immediately attracts the attention - romantic and professional - of Ingrid Bergman ("Dr. Petersen") who quickly discovers that he has quite a secret. Together they must work speedily to unravel a mystery of memory and murder before the authorities come to their own conclusions. This isn't my favourite Hitchcock thriller - Peck hasn't quite got the charisma or intensity the part required and though Bergman is beautiful; she is still just a little too stilted, unnatural even. The plot, however is complex and intriguing dealing with a traditional crime-noir subject in a far more cerebral manner. Miklós Rósza's Oscar winning score adds much of the menace to this and the pace smoulders nicely to a suitably thoughtful conclusion. I know Peck was David O. Selznick's golden boy at this point, but I cannot help but think he let's the thing down a bit; perhaps Hitch should have cast a more characterful lead? Great stuff, nonetheless though - certainly worth a watch.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.