Is The Bad Sleep Well Worth Watching?
Answer: Yes, The Bad Sleep Well is definitely worth watching if you enjoy Crime movies.
It features a runtime of 150 minutes and offers a solid storyline that appeals to mature audiences.

Verdict:The Bad Sleep Well is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.7/10, it has delivered a compelling experience for fans of the Crime, Drama, Thriller genre.
Answer: Yes, The Bad Sleep Well is definitely worth watching if you enjoy Crime movies.
It features a runtime of 150 minutes and offers a solid storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1960, The Bad Sleep Well emerges as a significant entry in the Crime, Drama, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. Unlike standard genre fare, The Bad Sleep Well attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Crime is often anchored by its ensemble, and The Bad Sleep Well features a noteworthy lineup led by Toshirō Mifune . Supported by the likes of Masayuki Mori and Kamatari Fujiwara , the performances bring a palpable realism to the scripted words.
Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned.
In summary, our editorial assessment of The Bad Sleep Well (1960) is overwhelmingly positive. With an audience rating of 7.7/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: The Bad Sleep Well is a Crime, Drama, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: The Bad Sleep Well resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to crime resolution.
The final reveal recontextualizes earlier scenes, creating a memorable conclusion that audiences have responded to positively.
The final moments of The Bad Sleep Well demonstrate careful narrative planning, offering an ending that aligns with the film's tone and style.
The Bad Sleep Well incorporates elements from real criminal cases. As a crime, drama, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film balances historical fidelity with cinematic storytelling. Core events maintain connection to source material while adapting for theatrical presentation.
The production demonstrates respect for its source material, focusing on emotional truth over strict chronology.
Accuracy Assessment: The Bad Sleep Well successfully translates real events into compelling cinema. The film prioritizes thematic resonance over documentary precision.
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Criterion ChannelAnalyzing the audience sentiment, IMDb rating of 7.7/10, and global collection metrics, The Bad Sleep Well stands as a successful venture for the creators. It remains an essential piece of the 1960 cinematic year.
The Bad Sleep Well is considered a hit based on audience response and box office performance. With a rating of 7.7/10, it's highly recommended for fans of Crime, Drama, Thriller movies.
Yes, The Bad Sleep Well is definitely worth watching! It's a must-watch hit for fans of Crime, Drama, Thriller cinema.
The Bad Sleep Well is currently available for streaming on Criterion Channel. You can also check for it on platforms like Criterion Channel depending on your region.
We start with the sight of a group of journalists at a wedding. The daughter of an industrialist is marrying the son of another. Nothing new here until, that is, an extra wedding cake is wheeled into the reception shaped just like an office block. Sticking out of a seventh floor window is a rose. We are quickly told that symbolises the window from which the groom's father committed suicide. Shortly afterwards, two senior executives are arrested after a ¥12 billion deal is suspected of being a bit fishy. Neither executive will talk to the prosecutors so one is released and the other released and re-arrested. The latter man takes the hint and falls foul of a passing lorry! Could the events of years ago be coming back to haunt those responsible? It certainly has shades of Shakespeare's "Hamlet" to it, but this isn't one of my favourite Kurosawa films. Despite being almost 2¼ hours long I felt the characterisations rather under-developed. The always reliable Toshirô Mifune is the groom ("Nishi") and for a while there is a strong dynamic between him and the star of the film, for me anyway, Kô Nishimura ("Shirai). This latter man is complicit in the double dealings and is quite literally scared into helping "Nishi" expose the culprits and activities that caused his misery. The rest of the acting here is not up to the usual standard, though. There is a great deal of dialogue and in this case that slows the pace down and creates a sense of almost the ennui around the middle third of the film - just as the plot ought to be thickening. The denouement is also rather underwhelming - though, I suppose entirely plausible and totally consistent with the ethos of the title (and the source play), but I still left this screening just a bit disappointed.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.